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Were a wind to arise
I could put up a sail
Were there no sail
I’d make one of canvas and sticks

        —Bertolt Brecht, ‘Motto’ 
        (Buckow Elegies)

Beware, o wanderer, the road is walking too. 
        —Rainer Maria Rilke

My head is my only house unless it rains

[...]

        —Don Van Vliet





A utility amongst the swallows is their music; they use it to avoid collision. 
        —John Cage, 
       ‘36 Mesostics’


36 Exposures / A bastardised roll of film 

Texts       Dominic J. Jaeckle
Image      Hoagy Houghton

With an afterword 
by Chris McCabe

Designed & typeset 
by Ana Baliza

Tenement Press / John Cassavetes 1
978-1-7393851-4-9 / 390pp / £16.50.


Order direct from Tenement here.

(31.07.24)





The methodology was as follows. Over the course of a single year, 2018, Houghton would send Jaeckle three photographs a month from his archive; Jaeckle would respond with an accompanying prose-work for each image. 
        At the year’s end, the resulting collection would cover twelve months, comprising 36 images and 36 reactions, and express itself as a roll of film in the abstract. A contact sheet spoilt by written interventions; an index of distractions and elaborations; an array of materials that pictures a false or disrupted communication as ideas are exchanged and images developed over the course of a calendar year. 
        From the onset of the project to its end, Jaeckle and Houghton never met in person—this exchange of materials was their only means of communication—and thus, this collaboration is a form of conversation twelve-months wide and three-hundred-and-sixty-five days long. The texts number fragments, at turns essayistic and anecdotal; short stories, prose-poems, and assimilated citations. The images are largely personal: snapshots; familiar faces; passing objects of interest and attention.  





The Exposures project is a near-novel, a broken love song, an experiment in a direct and indirect address of ideas in both high and low resolution, at high and low tide, when the moon is up, and when the sun is near.


*        *        *




Diamanda LaBerge Dramm,             
reads ‘February 3rd (Alberto Pimenta)’  



Mark Lanegan,            
reads ‘March 1st (Mercè Rodoreda)’



Diamanda LaBerge Dramm,             
reads ‘March 2nd (Nina Simone)’  



Mark Lanegan,             
reads ‘June 2nd (Veronica Lake, Walden Pond, & River Phoenix)’



Polly Barton,             
reads ‘June 3rd (The Louvin Brothers)’ 


*       *        *





Sheets to the wind
a suite of songs to accompany 
these pages.


*        *        *




Brick & mortar bookshops /
order via asterism.



(Praise for 36 Exposures.)

Does language need to be reinvented in order to talk? Or even, to see? Dominic Jaeckle thinks so, and provides a compelling, propulsive essay poetry to accompany a year-long suite of pictures by Hoagy Houghton. This twitterverse feed takes philosophy personally, mixmasters it up with best friends and late-night movie simulations. While there are encounters by the galore, and biographical instants dropped like crumbs on a forest walk, the focus here is not on the story, but the lighting, the staging, the choreography of digression. Talk about talking. In these mirrors are reflections of a lost brother, an almost date, an almost self, on the times we used to have, the blood rites we shared until we couldn’t. Black and white photos offer starting points to think about colour. What colour is the memory of brother? The photographs offer shadowy basement creatures caught in the half light, as if the camera wasn’t even there, vacuuming up every decisive moment. Pensive, coiled, we are dropped in the midst of a drama that will need to bury a few Russian philosophers before life can begin again. And coursing through it all this essential belief: that the right painted apple, the right sentence—the right thought—would change the world. The revolution is in the waiting room.
—Mike Hoolboom

According to the Midrash, the light created by God on the first day of creation shone for exactly 36 hours. What lasting images were developed in that moment?

            [...]

Exposures of lived moments. Writing as an organising principle. Writing as complete commitment. Writing as life.

            [...]

Jaeckle shows us the difference between watching and looking. Between staring and focussing. Between thought-making and thinking. 

            [...]

36 Exposures is a source book containing enough ejector seats for Jaeckle to get high as a writer for the rest of his life.

            [...]

Camera exposure relies on light to make a picture darker or lighter. The more light, the brighter the photograph.     
        —Chris McCabe, 
      from his afterword, 
      ‘36 Expositions’





Dominic J. Jaeckle  
51.4545° N, 2.5879° W
Jaeckle is a writer, editor, and publisher. Jaeckle curated and collated the irregular magazine series Hotel and its adjacent projects, and publishes works of experimental and esoteric literature in English and in first-time English language translation via Tenement Press.

Hoagy Houghton
51.5072° N, 0.1276° W
Houghton is an artist based in London.

Chris McCabe
53.4084° N, 2.9916° W
McCabe’s work spans artforms and genres including poetry, fiction, non-fiction, drama and visual art. His work has been shortlisted for the Ted Hughes Award and the Republic of Consciousness Prize. His latest poetry collection The Triumph of Cancer (Penned in the Margins, 2018) is a Poetry Book Society Recommendation, and he is the editor of several anthologies, including Poems from the Edge of Extinction: An Anthology of Poetry in Endangered Languages (Chambers, 2019) and, with Victoria Bean, The New Concrete: Visual Poetry in the 21st Century (Hayward Gallery Publishing, 2015). His novels are Dedalus (Henningham Family Press, 2018) and Mud (Henningham Family Press, 2019). McCabe is presently working on an epic series of psychogeographical books documenting the lost poets buried in London’s Victorian cemeteries, the latest of which is Buried Garden: Lockdown with the Lost Poets of Abney Park Cemetery (Penned in the Margins, 2021) which was chosen as a White Review Book of the Year in 2022. McCabe is National Poetry Librarian at Southbank Centre’s National Poetry Library, London.

Ana Baliza
38.7223° N, 9.1393° W
Baliza is an artist based in Lisbon.





36 Exposures is a manuscript owing to an ongoing project called Veronica Lake, Walden Pond & River Phoenix—a cumulative train of thought, a series of spines, a ‘Legend of Duluoz’ in which the author argues with varied objects of attention in a borderless field of enquiry. 

1.            36 Exposures
(A bastardised roll of film)
2.           Magnolia or Redbud
(Flowers for Laura Lee Burroughs)


MMXXVI