A Voyage to Extremes:

Selected Spiritual
Writings


Jeffrey Vallance



Edited by Jon Auman
ISBN: 978-1-8380200-5-7
140 x 216mm
Designed and typeset by Traven T. Croves

July 2022


(Summer, MMXXII)


        Coming soon; Tenement’s forthcoming  
        fifth yellowjacket—a feature-length        
        anthology from the artist ...
a



Jeffrey Vallance is our Philip Marlowe, quite literally our private eye, with a private vision of pied beauty and sacred banality that extends to the horizon.

               Dave Hickey

Jeffrey Vallance is one of the world's most original, thought-provoking and entertaining writers on visual culture—his essays are works of art in themselves.

                Ralph Rugoff






Collecting published and unpublished essays, articles and fragments ranging from 1990 to 2022, A Voyage to Extremes offers an illustrated survey of the seemingly limitless breadth of Jeffrey Vallance’s esoteric writings.






For fans of ghosts and other paranormal phenomena; Richard Nixon’s dog Checkers; (fabulous) vegas casinos; the pedagogical value of Lapland; Charlie Manson’s father; (the glory of) Ronald McDonald; Martin Luther; Blinky (the friendly hen); Thomas Kinkade; dream sequences; Jägermeister; a raunchy affair (at an ice hotel); hot tubs; shamans; Dürer; Biblical etymology; base gratification; enlightened asides; a wedding ceremony; his Majesty, King Taufa’ahau Tupou IV of Tonga; the summoned ghosts of Vincent Van Gogh, Salvador Dali, Andy Warhol, Jackson Pollock and Frida Kahlo; the living ghost of David Byrne; Liberace (in space); Big Foot (in Texas); Arctic glamour; Judas; St. Luke; a reliable recipe for a rump roast; ravens; crows; clowns; the Ozone layer; demilitarised zones; duty free zones; the weeping virgin of Las Vegas; a bar called a fale kava; a restaurant called Matsuhisa; Houdini artifacts; Santa Claus; Charles Fort; Mikhail Gorbachev (carved out of Ice Cream); Mike Kelley; artificial insemination (cow) and more.




          For Vallance’s essay, ‘Yahweh to Yahoo,’
         
 previously published in Hotel #7, see here. 

          For Vallance’s scatological eschatology,      
          Holy Shit! as previously published in            
          Hotel #5, see here. 












Praise for Jeffrey Vallance


If Los Angeles were Paris, Jeffrey Vallance would surely be declared a national treasure.

        Jan Tumlir, Artforum



In the end, I may not have a clear idea what it is or how to label it, or whether it is irreverent or should be hallowed, but Vallance's work certainly opens up my thinking about what faith can be. And, if I sit with it, the work takes me somewhere I didn't expect to go, namely, across the great skeptical divide. The irony in Vallance's work is that there is no irony.

        Jan Estep, New Art Examiner



For more than 30 years, I have been delighted to feature the inimitable Jeffrey Vallance’s explorations of mysteries and strange phenomena in the pages of Fortean Times. I savour his sense of wonder, his open-minded approach, wry sense of humour and charming drawings.

        Paul Sieveking,
        the founding co-editor of Fortean Times



The dreamland origins of Jeffrey Vallance imagines he was born in the midst of a rainstorm of falling frogs on a windswept island in Tahiti … with Liberace in a UFO overhead. With that fantastic background you can understand why Jeffrey Vallance has written some of the most insightful and intriguing articles exploring the unknown, inexplicable, and Fortean events you will ever hear about.

        Loren Coleman
        author of Mysterious America, Curious Encounters, 
        and director of the International Cryptozoology Museum








Jeffrey Vallance was born in 1955 in Redondo Beach, CA. In 1979, he received a B.A. from CSUN and in 1981 an M.F.A. from Otis. He lives and works in Los Angeles. Vallance’s work blurs the lines between object making, installation, performance, curating and writing and his projects are often site-specific, such as burying a frozen chicken at a pet cemetery; traveling to Polynesia to research the myth of Tiki; having audiences with the king of Tonga; the queen and president of Palau and the presidents of Iceland; creating a Richard Nixon Museum; traveling to the Vatican to study Christian relics; installing an exhibit aboard a tugboat in Sweden; and curating shows in the museums of Las Vegas (such as the Liberace and Clown Museum). In Lapland Vallance constructed a shamanic “magic drum,” In Orange County, Mr. Vallance curated the only art world exhibition of the Painter of Light entitled Thomas Kinkade: Heaven on Earth. In 1983, he was host of MTV’s The Cutting Edge and appeared on NBC’s Late Night with David Letterman. In 2004, Vallance received the prestigious John Simon Guggenheim Memorial Foundation award. In addition to exhibiting his artwork, Vallance has written for such publications and journals as Art issues, Artforum, L.A. Weekly, Juxtapoz, Frieze and the Fortean Times. He has published over ten books including Blinky the Friendly Hen, The World of Jeffrey Vallance: Collected Writings 1978-1994, Christian Dinosaur, Art on the Rocks, Preserving America’s Cultural Heritage, Thomas Kinkade: Heaven on Earth, My Life with Dick, Relics and Reliquaries, The Vallance Bible and Rudis Tractus (Rough Drawing)



Images—

(top left)
Jeffrey Vallance, ‘Lutherian Boy,’ © 2022  
(top right
Jeffrey Vallance, ‘I Stole Ronald McDonald’s Glory,’ © 1996
(mid.) 
Jeffrey Vallance, ‘The Curse of Judas,’ © 1998
(mid. right)
Jeffrey Vallance, the author at his Lutheran Confirmation in Canoga Par, CA, 1967 (courtesy of the artist and Edward Cella Art & Architecture) 
(mid. left)
Jeffrey Vallance, the face of Saint Luke—patron saint of physicians, surgeons, butchers, cattlemen, bachelors, bookbinders, brewers, hospitals, art guilds, and artists (including painters, sculptors, goldsmiths, lacemakers, and stained glass workers)—as it spontaneously appeared to Vallance on a slab of meat cut from a beef hindquarter. 
(bottom left)
Jeffrey Vallance, ‘The Ghost of Ronald Raegan,’ © 2005
(bottom right)
Jeffrey Vallance, ‘Vallance Now,’ © 2016
[courtesy of the artist and Edward Cella Art & Architecture]