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                                            <image:caption>&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;&lt;div style=&quot;text-align: left&quot;&gt;(23.10.21) &lt;br /&gt;&lt;br /&gt;
Yellowjacket 2 /&lt;br /&gt;
978-1-8380200-3-3&lt;br /&gt;&lt;br /&gt;
Schtinter runs with wolves.&lt;br /&gt;
        —Sukhdev Sandhu
&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;
&lt;br /&gt;
&lt;/i&gt;&lt;div style=&quot;text-align: left&quot;&gt;(15.04.21) &lt;br /&gt;&lt;br /&gt;
Yellowjacket 1 /&lt;br /&gt;
978-1-8380200-1-9&lt;br /&gt;&lt;br /&gt;
Both wise and wild, [Brossa’s] poems are surreal and matter-of-fact, playful and minimalist and utterly original. In his ability to make it new, Brossa is an essential modern poet.&lt;br /&gt;        —Colm Tóibín&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;(28.02.22) &lt;br /&gt;&lt;br /&gt;
Yellowjacket 3 /&lt;br /&gt;
978-1-8380200-4-0&lt;br /&gt;&lt;br /&gt;
This is translation as intrepid and inspired re-visioning, a form of poetry of its own, as forged by Edward FitzGerald, Ezra Pound and Anne Carson.&lt;br /&gt;
        —Marina Warner &lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;br /&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;(28.06.22) &lt;br /&gt;&lt;br /&gt;
Yellowjacket 4 /&lt;br /&gt;
978-1-8380200-6-4&lt;br /&gt;&lt;br /&gt;
SJ Fowler&amp;#x27;s &lt;i&gt;MUEUM&lt;/i&gt; is an essential artefact for our troubled times.&lt;br /&gt;
        —Chris McCabe
&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(24.10.22)&lt;br /&gt;&lt;br /&gt;
Yellowjacket 5 /&lt;br /&gt;
978-1-8380200-5-7&lt;br /&gt;
&lt;br /&gt;
If Los Angeles were Paris, Jeffrey Vallance would surely be declared a national treasure. &lt;br /&gt;
        —&lt;i&gt;Artforum&lt;/i&gt;
&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(04.10.22)&lt;br /&gt;
&lt;br /&gt;
Yellowjacket 6 /&lt;br /&gt;
978-1-8380200-7-1&lt;br /&gt;&lt;br /&gt;
Remarkable prose poems for the 21st century.&lt;br /&gt;        
—Chloe Aridjis&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(14.12.22)&lt;br /&gt;&lt;br /&gt;
Yellowjacket 7 /&lt;br /&gt;
978-1-8380200-8-8&lt;br /&gt;
&lt;br /&gt;
A 20th century Dante, he grieves at inequity, feels disgusted by corruption, and wails against the evil that people do. &lt;br /&gt;        
—Lynne Tillman&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(09.06.23)&lt;br /&gt;
&lt;br /&gt;
Yellowjacket 8 /&lt;br /&gt;
978-1-8380200-9-5&lt;br /&gt;&lt;br /&gt;
Baraheni is a literary man, so his revolt took the form of breathing ‘reality and harshness’ into the Persian language, and turning it against his oppressors. &lt;br /&gt;        
—&lt;i&gt;Kirkus&lt;/i&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;(21.07.23)&lt;br /&gt;&lt;br /&gt;
Yellowjacket 9 /&lt;br /&gt;
978-1-7393851-0-1&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;
The Pink Plastic Glove&lt;/i&gt; is a supreme act of faith and despair. &lt;br /&gt;        
—David Keenan&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(19.10.23)&lt;br /&gt;&lt;br /&gt;
Tenement Press &lt;br /&gt;
x Prototype Publishing /&lt;br /&gt;
978-1-913513-46-7&lt;br /&gt;
&lt;br /&gt;
If &lt;i&gt;Hotel&lt;/i&gt; itself were a concrete edifice, it would be more like &lt;i&gt;Fear and Loathing in Las Vegas&lt;/i&gt;’s Circus-Circus than the Grand Budapest, despite its tasteful, clean exterior. &lt;br /&gt;        
—&lt;i&gt;TLS&lt;/i&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;br /&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;(05.11.23)&lt;br /&gt;
&lt;br /&gt;
Yellowjacket 10 /&lt;br /&gt;
978-1-7393851-1-8&lt;br /&gt;&lt;br /&gt;
Profound and riveting, Schtinter’s graveyard perspective offers up a rich and startlingly novel view of cinema, angled through cemetery gates before the closing credits. A remarkable accomplishment.&lt;br /&gt;        —Alan Moore&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(05.11.23)&lt;br /&gt;&lt;br /&gt;
Tenement Press &lt;br /&gt;
x purge.xxx&lt;br /&gt;
978-1-7393851-1-8&lt;br /&gt;
&lt;br /&gt;
Here is the endgame of endgames. &lt;br /&gt;        
—Iain Sinclair&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(01.03.24)&lt;br /&gt;
&lt;br /&gt;
No University Press 1 /&lt;br /&gt;
978-1-7393851-3-2&lt;br /&gt;&lt;br /&gt;
An excavation of future thinking. In its radical mode of communal translation, &lt;i&gt;An Anarchist Playbook&lt;/i&gt; recovers equally radical political energies. &lt;br /&gt;        
—Adam Thirlwell&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;br /&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;(22.04.24)&lt;br /&gt;
&lt;br /&gt;
Yellowjacket 11 / &lt;br /&gt;
978-1-7393851-2-5&lt;br /&gt;&lt;br /&gt;
Benedetti’s writing—concise, lyrical, irrepressible—charts ideological and spiritual discovery.       &lt;br /&gt;        
—Leo Boix &lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;(01.07.24)&lt;br /&gt;
&lt;br /&gt;
Yellowjacket 12 / &lt;br /&gt;
978-1-7393851-8-7&lt;br /&gt;&lt;br /&gt;
Attlee’s curt and cute syntactical meanderings elucidate a cosy, foamy and furious domestic space that feels like a quiet feminist revolution. &lt;br /&gt;        
—Rachael Allen&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(31.07.24)&lt;br /&gt;&lt;br /&gt;
John Cassavetes 1 /&lt;br /&gt;
978-1-7393851-4-9&lt;br /&gt;
&lt;br /&gt;
Coursing through it this essential belief: that the right painted apple, the right sentence, the right thought: would change the world. The revolution is in the waiting room. &lt;br /&gt;        
—Mike Hoolboom&lt;/div&gt;</image:caption>
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                                            <image:caption> &lt;div style=&quot;text-align: left;&quot;&gt;(31.07.24)&lt;br /&gt;&lt;br /&gt;
John Cassavetes 2 /&lt;br /&gt;
978-1-7393851-5-6&lt;br /&gt;
&lt;br /&gt;
Jaeckle demonstrates how the cut-up’s disruption is also its irrigation, suspending these poems in quiet menace and beauty.&lt;br /&gt;        
—Daisy Lafarge&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;br /&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;(23.08.24) &lt;br /&gt;&lt;br /&gt;
Yellowjacket 13 / &lt;br /&gt;
978-1-7393851-9-4&lt;br /&gt;&lt;br /&gt;
Tusa finds the words that won’t fill the disquiet and the terror of the illegible revolt of the elements against our way of production.&lt;br /&gt;        
—Claire Fontaine&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;&lt;br /&gt;
&lt;/i&gt;(30.09.24) &lt;br /&gt;&lt;br /&gt;
No University Press 2 / &lt;br /&gt;978-1-7393851-7-0&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;
Midsummer Song &lt;/i&gt;intermingles a lodestar of potent poetic sources into a lyric architecture which refuses to be singular in form or bound by convention. &lt;br /&gt;        
—Laynie Browne&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(31.10.24)&lt;br /&gt;&lt;br /&gt;
Yellowjacket 14 /&lt;br /&gt;
978-1-917304-00-9&lt;br /&gt;
&lt;br /&gt;
[McCabe] is a man to be respected and enjoyed. &lt;br /&gt;        
—Ivor Cutler&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(22.11.24) &lt;br /&gt;&lt;br /&gt;
Yellowjacket 15 / &lt;br /&gt;
978-1-917304-01-6&lt;br /&gt;&lt;br /&gt;
Inspired by sermons recorded in Black churches in the 1920s and 1930s, Sante’s are soul poems for 21st-century uncertainty.&lt;br /&gt; &lt;i&gt;        —Ursula&lt;/i&gt; / &lt;br /&gt;        
Hauser &amp;#x26; Wirth&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(13.12.24)&lt;br /&gt;&lt;br /&gt;
Yellowjacket 16 /&lt;br /&gt;
978-1-917304-02-3&lt;br /&gt;
&lt;br /&gt;
Moger’s supple translation deftly navigates the text’s associative meanderings. Breathless, the reader stands amazed. &lt;br /&gt;        
—Omar Berrada&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;(28.02.25)&lt;br /&gt;&lt;br /&gt;
Yellowjacket 17 /&lt;br /&gt;
978-1-917304-05-4&lt;br /&gt;
&lt;br /&gt;
A wonderful bringing together of natural and cultural histories.&lt;b&gt;&lt;/b&gt;&lt;br /&gt;        
—Tom McCarthy&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;(21.03.25)&lt;br /&gt;&lt;br /&gt;
Harry Caul 1 /&lt;br /&gt;
978-1-917304-07-8&lt;br /&gt;
&lt;br /&gt;
The ultimate agenda across Schtinter’s work, it seems, is an attempt to create a form of critical awareness regarding the destruction of certain intellectual and volitional faculties that humanity has fought to preserve over centuries—namely, the autonomy of thought and action. &lt;br /&gt;        
—&lt;i&gt;Art Monthly&lt;/i&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(04.04.25) &lt;br /&gt;&lt;br /&gt;
Yellowjacket 18 / &lt;br /&gt;
978-1-917304-04-7&lt;br /&gt;&lt;br /&gt;
A completely unique and compellingly brilliant work.&lt;br /&gt;
        —Holly Pester&lt;/div&gt;        
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(16.06.25)&lt;br /&gt;&lt;br /&gt;
Yellowjacket 19 / &lt;br /&gt;
978-1-917304-03-0&lt;br /&gt;
&lt;br /&gt;
What is happening in Gaza is a genocide not a war, but not since Akhmatova have I read poetry that so potently reckons with the relationship between war and the body. They create a new category of literary grace out of the cataclysm. These are poems of fire and agony, bombing and starvation, but they are also poems of grace, cleverness, tenderness and yearning. A great international poet arrives with this collection, but it is also a landmark work of resistance. No human should have to write their poetry from inside death&amp;#x27;s dominion, but Batool Abu Akleen has done it, and the result is truly astonishing.&lt;br /&gt;        
—Max Porter&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(05.09.25) &lt;br /&gt;&lt;br /&gt;
Yellowjacket 20 /&lt;br /&gt;
978-1-917304-09-2&lt;br /&gt;&lt;br /&gt;
A wondrous terrain ringed by vines of unruly syntax and dotted with the fruit of words refusing domestication by any single tongue.&lt;br /&gt;        
—Mia You  &lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
(30.09.25)&lt;br /&gt;&lt;br /&gt;
Yellowjacket 21 / &lt;br /&gt;
978-1-917304-10-8&lt;br /&gt;
&lt;br /&gt;
Martz lends &lt;br /&gt;her lips to speak&lt;br /&gt;and be spoken. &lt;br /&gt;&lt;br /&gt;We are a nudge closer &lt;br /&gt;to the oracle. &lt;b&gt;&lt;br /&gt;&lt;/b&gt;        —Arto Lindsay&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;br /&gt;&lt;div style=&quot;text-align: left&quot;&gt;(25.10.25)&lt;br /&gt;&lt;br /&gt;
Yellowjacket 22 /&lt;br /&gt;
978-1-917304-06-1&lt;br /&gt;
&lt;br /&gt;
Kivland, here, is this non-existent woman, meaning &lt;i&gt;everywhere&lt;/i&gt;, and &lt;i&gt;everywhere&lt;/i&gt; drives meaning. The meaning of this book is desire, its way of constricting, dilating, evading, enveloping... &lt;br /&gt;        
—Vanessa Place&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;br /&gt;(16.01.26)&lt;br /&gt;&lt;br /&gt;
Yellowjacket 23 / &lt;br /&gt;
978-1-917304-08-5&lt;br /&gt;
&lt;br /&gt;
Everything that folds from Fowler’s soft bag of brain is a phenomenal and precious gift, and one anyone truly interested in language, human coping and the murk-sparks of the mind should know.&lt;br /&gt;       
—Han Smith</image:caption>
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                                            <image:caption>&lt;br /&gt;
(05.03.26)&lt;br /&gt;&lt;br /&gt;
Yellowjacket 24 / &lt;br /&gt;
978-1-917304-13-9&lt;br /&gt;&lt;br /&gt;
With aphorism, deep pith and humour, Nadia de Vries delivers her sly lines and contrarian point of view with great force, making for an uncomfortable music. &lt;br /&gt;        
—Peter Gizzi</image:caption>
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                                            <image:caption>&lt;br /&gt;
(11th June 2026)&lt;br /&gt;
&lt;br /&gt;
Yellowjacket 26 / &lt;br /&gt;
978-1-917304-12-2
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                                            <image:caption>&lt;br /&gt;
(&lt;i&gt;Forthcoming&lt;/i&gt;, 30.04.26) &lt;br /&gt;&lt;br /&gt;
Yellowjacket 25 /&lt;br /&gt;
978-1-917304-11-5&lt;br /&gt;
&lt;br /&gt;
When I read [Robin Moger], what comes to the fore, surely as a photograph being developed, is the sharp silhouette of a writer’s singular voice—whether that be sheathed in Iman Mersal’s laconic, dust-flecked perambulations, Haytham El Wardany’s starkly alchemised aphorisms, Mohamed Kheir’s dream-like landscapes of ruin, Youssef Rakha’s fitful fragments, or Wadih Saadeh’s fugitive metaphysical transits.&lt;br /&gt;
        Nor is his range restricted to the modern. From pre-Islamic poets like Dhu al-Rumma to Sufi mystics like Al-Niffari, the ancients have also received their fair share of attention across Moger’s career. Noteworthy is the fact that his translations of the premodern corpus almost always experiment with form and movement; out of well-worn palimpsests are created texts afresh, as if greeting the daylight for the first time. &lt;br /&gt;        
—Alex Tan, &lt;i&gt;Asymptote&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
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                                            <image:caption>&lt;br /&gt;
(3rd July 2026)&lt;br /&gt;
&lt;br /&gt;
Yellowjacket 28 / &lt;br /&gt;
978-1-917304-14-6
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                                            <image:caption>&lt;br /&gt;
Robin Moger is a translator of Arabic to English who lives in L’Hospitalet de Llobregat. His translations of prose and poetry have appeared widely. Among his recent publications are &lt;i&gt;Sleep Phase&lt;/i&gt; by Mohamed Kheir (Two Lines Press, 2025), Wadih Saadeh’s &lt;i&gt;A Horse at the Door&lt;/i&gt;(Tenement Press, 2024), &lt;i&gt;Strangers in Light Coats&lt;/i&gt; (Seagull Press, 2023)—a collection of the poems of Palestinian poet Ghassan Zaqtan—and &lt;i&gt;Traces of Enayat &lt;/i&gt;by Iman Mersal (And Other Stories Press, 2023), which was a joint winner of the 2024 James Tait Black Prize for Biography.</image:caption>
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                                            <image:caption>&lt;br /&gt;
(26th June 2026)&lt;br /&gt;
&lt;br /&gt;
Yellowjacket 27 / &lt;div style=&quot;text-align: left;&quot;&gt;978-1-917304-16-0&lt;/div&gt;
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                                            <image:caption>&lt;br /&gt;SJ Fowler is a writer, poet and performer living in London. His collections include&lt;i&gt; I will show you the life of the mind (on prescription drugs)&lt;/i&gt; (Dostoyevsky Wannabe, 2020), &lt;i&gt;The Great Apes&lt;/i&gt; (Broken Sleep Books, 2022) and&lt;i&gt; The Parts of the Body that Stink&lt;/i&gt; (Hesterglock, 2024). His work has become known for its exploration of the potential of poetry, alongside collaboration, curation, asemic writing, sound poetry, concrete poetry, and improvised talking performances. He has been commissioned by institutions such as the The National Gallery, Tate Modern, Wellcome Collection and Southbank Centre, and he has presented his work at over fifty international festivals, including Hay Xalapa, Mexico; Dhaka Lit Fest; Hay Arequipa, Peru; and the Niniti Festival, Iraq. Fowler was nominated for the &lt;i&gt;White Review&lt;/i&gt; Short Story Prize, 2014, and his short stories have appeared in anthologies, such as Isabel Waidner’s edited collection, &lt;i&gt;Liberating the Canon &lt;/i&gt;(Dostoyevsky Wannabe, 2018). In 2022, Tenement Press published &lt;i&gt;MUEUM&lt;/i&gt;, Fowler’s debut novella, which was shortlisted for the 2022/2023 edition of the Republic of Consciousness Prize for Small Presses.</image:caption>
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                                            <image:caption>&lt;br /&gt;
Nadia de Vries is a poet from Amsterdam, the Netherlands. Her previous collections include &lt;i&gt;Know Thy Audience &lt;/i&gt;(&lt;span class=&quot;small-caps&quot;&gt;MOIST&lt;/span&gt;, 2023), &lt;i&gt;I Failed to Swoon &lt;/i&gt;(Dostoyevsky Wannabe, 2021) and &lt;i&gt;Dark Hour &lt;/i&gt;(Dostoyevsky Wannabe, 2018). She also writes fiction in Dutch. Her novels &lt;i&gt;De bakvis &lt;/i&gt;(Uitgeverij Pluim, 2022) and &lt;i&gt;Overgave op commando &lt;/i&gt;(2025) were translated to English by Sarah Timmer Harvey as, respectively, &lt;i&gt;Thistle &lt;/i&gt;(The New Menard Press, 2024) and &lt;i&gt;Surrender on Demand &lt;/i&gt;(Bloomsbury, 2027). </image:caption>
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                                            <image:caption>&lt;br /&gt;
(29th May 2026) &lt;br /&gt;&lt;br /&gt;
No University Press 3 / &lt;br /&gt;
978-1-917304-15-3</image:caption>
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                                            <image:caption>&lt;br /&gt;
(1st October 2026) &lt;br /&gt;&lt;br /&gt;
Yellowjacket 29 /&lt;br /&gt;
&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;978-1-917304-18-4&lt;/div&gt;&lt;/div&gt;</image:caption>
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                                            <image:caption>&lt;i&gt;&lt;br /&gt;
Last Movies&lt;/i&gt;&lt;br /&gt;
dir. Stanley Schtinter, 2026. / 86m.&lt;br /&gt;
&lt;br /&gt;
A reworking of Schtinter’s ‘Yellowjacket’ for the screen, narrated by Jeremy Irons.&lt;br /&gt;
&lt;br /&gt;
(&lt;a class=&quot;small-caps&quot; href=&quot;last-movies&quot; rel=&quot;history&quot;&gt;See here&lt;/a&gt;.)&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;World Premiere&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span class=&quot;small-caps&quot;&gt;13.03.26    CPH:DOX&lt;/span&gt;, Copenhagen &lt;br /&gt;&lt;br /&gt;
&lt;a class=&quot;small-caps&quot; href=&quot;https://cphdox.dk/film/last-movies/&quot; target=&quot;_blank&quot;&gt;Tickets&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
*        *        *&lt;br /&gt;
&lt;i&gt;&lt;br /&gt;
&lt;br /&gt;
UK Premiere&lt;/i&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;span class=&quot;small-caps&quot;&gt;17.04.26    Open City&lt;/span&gt;, London&lt;br /&gt;
&lt;br /&gt;
&lt;a class=&quot;small-caps&quot; href=&quot;https://opencitylondon.com/events/last-movies/&quot; target=&quot;_blank&quot;&gt;Tickets&lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
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                                            <image:caption>&lt;br /&gt;
(30th October 2026) &lt;br /&gt;&lt;br /&gt;
Yellowjacket 30 / &lt;br /&gt;
978-1-917304-19-1</image:caption>
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                                            <image:caption>&lt;br /&gt;
Robin Moger is a translator of Arabic to English who lives in L’Hospitalet de Llobregat. His translations of prose and poetry have appeared widely. Among his recent publications are &lt;i&gt;Sleep Phase&lt;/i&gt; by Mohamed Kheir (Two Lines Press, 2025), Wadih Saadeh’s &lt;i&gt;A Horse at the Door&lt;/i&gt;(Tenement Press, 2024), &lt;i&gt;Strangers in Light Coats&lt;/i&gt; (Seagull Press, 2023)—a collection of the poems of Palestinian poet Ghassan Zaqtan—and &lt;i&gt;Traces of Enayat &lt;/i&gt;by Iman Mersal (And Other Stories Press, 2023), which was a joint winner of the 2024 James Tait Black Prize for Biography.</image:caption>
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        </url>
            <url>
                        <loc>https://tenementpress.com/about</loc>
            
            
            <lastmod>2026-03-15T18:14:35+00:00</lastmod>
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                                            <image:caption>Stephen Watts, ‘&lt;span class=&quot;small-caps&quot;&gt;I AM A FILM&lt;/span&gt;,’ as shot &lt;br /&gt;by filmmaker Huw Wahl, &lt;i&gt;circa&lt;/i&gt; 2022.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/F2773315109807360620870545623371/Stephen Watts, &#039;I AM A FILM&#039; (Huw Wahl, &#039;22)</image:loc>
                                            <image:caption>Stephen Watts, ‘&lt;span class=&quot;small-caps&quot;&gt;I AM A FILM&lt;/span&gt;,’ as shot &lt;br /&gt;by filmmaker Huw Wahl, &lt;i&gt;circa&lt;/i&gt; 2022.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2774024678446423909225129494859/heaven-2.jpeg</image:loc>
                                            <image:caption>A photographic scan by Doug Harvey, a ‘mouldy slide,’ a water-damaged image (see Dolors Miquel’s &lt;i&gt;El guant de plàstic rosa&lt;/i&gt; / &lt;i&gt;The Pink Plastic Glove&lt;/i&gt;).</image:caption>
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                                            <image:caption>A collage-work by Guy Maddin, as lifted from Nadia de Vries’ ‘Yellowjacket,’ &lt;i&gt;All My Dead Jesters&lt;/i&gt;.</image:caption>
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        </url>
            <url>
                        <loc>https://tenementpress.com/series-notes</loc>
            
            
            <lastmod>2026-03-27T11:16:45+00:00</lastmod>
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                                            <image:caption>An artist’s re-rendering of a ‘signal,’ meaning &lt;br /&gt;‘a safe place to rest,’ ‘to take the night.’ See John E. Fawcett &lt;br /&gt;and Elizabeth D. Rambeau, ‘A Hobo Memoir, 1936,’&lt;br /&gt;&lt;i&gt;Indiana Magazine of History&lt;/i&gt;, 90.4 (1994).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;&lt;br /&gt;
</image:caption>
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                                            <image:caption>Francis Ford Coppola, &lt;br /&gt;
&lt;i&gt;The Conversation&lt;/i&gt; (1973)</image:caption>
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                                            <image:caption>Production stills from the Milan-based theatrical company, &lt;br /&gt;Teatro dell’Elfo, and their take on Ariane Mnouchkine’s play &lt;i&gt;1789&lt;/i&gt;&lt;br /&gt;Giovanni Bachi, © 2024 / As reproduced in &lt;i&gt;An Anarchist Playbook&lt;/i&gt;.</image:caption>
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                                            <image:caption>A collage-work by Lucy Sante, as lifted &lt;br /&gt;
from &lt;i&gt;Magnolia or Redbud&lt;/i&gt;.</image:caption>
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                                            <image:caption>‘Migrant Malkovich,’ a 2014 photograph &lt;br /&gt;
by Sandro Miller in which actor John Malkovich &lt;br /&gt;
recreates Dorothea Lange’s 1936 portrait, ‘Migrant &lt;br /&gt;
Mother,’ and as lifted from &lt;i&gt;Seven Rooms&lt;/i&gt;.</image:caption>
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                                            <image:caption>Schtinter &amp;#x26; Jaeckle, &lt;i&gt;&lt;br /&gt;
Left&lt;/i&gt; and &lt;i&gt;Right&lt;/i&gt;, &lt;br /&gt;
&lt;i&gt;circa&lt;/i&gt; 2024.</image:caption>
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        </url>
            <url>
                        <loc>https://tenementpress.com/news</loc>
            
            
            <lastmod>2026-03-16T01:53:42+00:00</lastmod>
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                                            <image:caption>Batool Abu Akleen, Paris, &lt;br /&gt;
on October 28, 2025.</image:caption>
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                                            <image:caption>Wiam El-Tamami, photographed &lt;br /&gt;by Maria Kousi, © 2025.</image:caption>
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                                            <image:caption>Batool Abu Akleen, &lt;br /&gt;Gaza City, © 2025.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/N2779077477286921752978564237643/Batool Abu Akleen reads her poem, &#039;Judgement Day&#039;</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2779102650322627291465114634571/17-color.png</image:loc>
                                            <image:caption>Chauvet,  photographed by &lt;br /&gt;
Daria Lou Nakov, © 2025.</image:caption>
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                                            <image:caption>Verso, August 2025.</image:caption>
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                                            <image:caption>Toby Jones &amp;#x26; Vanessa Onwuemezi, &lt;br /&gt;
&lt;span class=&quot;small-caps&quot;&gt;The Old Church&lt;/span&gt;, London (21.05.25).</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2780318902377331258830502414667/Kyra Simone, Four Palaces (at McNally Jackson Books)</image:loc>
                                            <image:caption>Simone reading McNally Jackson (Seaport), &lt;br /&gt;(New York, &lt;span class=&quot;small-caps&quot;&gt;NY&lt;/span&gt;), September 2022.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/D2780786738573266184012043569483/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2780795363016416453586129701195/image.jpeg</image:loc>
                                            <image:caption>A still from Pier Paolo Pasolini’s &lt;i&gt;&lt;br /&gt;
La rabbia&lt;/i&gt; / &lt;i&gt;Anger&lt;/i&gt; (1963).</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2780877947134279579435502061899/pl-broadcast-notes-flyer.png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;A parrot on Canal Street, &lt;br /&gt;Shanzhai Lyric © 2024.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2780880853049873510901168130379/image.jpeg</image:loc>
                                            <image:caption>Sante, as photographed &lt;br /&gt;
by Jem Cohen, © 2024.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2782725392980480168720136849739/image.jpeg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/L2782730891050998081925705550155/image.jpeg</image:loc>
                                            <image:caption>John Divola, as excerpted from &lt;br /&gt;his ‘&lt;span class=&quot;small-caps&quot;&gt;Zuma&lt;/span&gt;’ series, 1977 / 1978.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/U2782732940502711415130599639371/image.jpeg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/R2782737707012252853162770352459/image.jpeg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/J2782743803513595261579903027531/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2783524414954411494960633399627/image.jpeg</image:loc>
                                            <image:caption>Palmer, photographed during &lt;br /&gt;
the &lt;i&gt;Pleasure Beach&lt;/i&gt; sessions.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2783525366234556632088500685131/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2783535982206643843419488831819/Dolors Miquel, El guant de plàstic rosa / The Pink Plastic Glove (Sant Jordi USA)</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2783580779589671268928011290955/Three Readers at The Small Publisher&#039;s Fair (Conway Hall, 28.10.22)</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/C2783587307781718490296070883659/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2783595287658737336311004449099/Kyra Simone, Four Palaces (at McNally Jackson Books)</image:loc>
                                            <image:caption>Simone, reading at McNally Jackson &lt;br /&gt;
(New York City, &lt;span class=&quot;small-caps&quot;&gt;NY&lt;/span&gt;), 29.09.22.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2783601169089490589348474833227/image.jpeg</image:loc>
                                            <image:caption>Fowler, photographed in the midsts &lt;br /&gt;
of the &lt;i&gt;MUEUM&lt;/i&gt; sessions, Spring 2022.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2783603034258230626194948278603/SJ Fowler &amp; Gareth Evans (on &amp; around a novella called MUEUM)</image:loc>
                                            <image:caption>A conversation between Fowler on (and around) &lt;i&gt;MUEUM&lt;/i&gt; &lt;br /&gt;
with Gareth Evans; recorded in the Resonance studios by &lt;br /&gt;
Therese Henningsen.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2783607482026481214599776618827/The Idea of a Fire Escape (Eley Williams &amp; SJ Fowler on &amp; around a novella called MUEUM)</image:loc>
                                            <image:caption>An unabridged iteration of a conversation &lt;br /&gt;
between Fowler and Williams, as recorded &lt;br /&gt;
for Montez Press Radio.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2772935783672035524436995262795/image.jpeg</image:loc>
                                            <image:caption>A collage-work by Guy Maddin, as drawn from &lt;br /&gt;
Nadia de Vries’ ‘Yellowjacket,’ &lt;i&gt;All My Dead Jesters&lt;/i&gt;.</image:caption>
                                    </image:image>
            
                
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                    <image:loc>https://freight.cargo.site/t/original/i/F2792358157058103922390836889931/Maddin-9.jpeg</image:loc>
                                            <image:caption>A collage-work by Guy Maddin, as drawn from &lt;br /&gt;
Nadia de Vries’ ‘Yellowjacket,’ &lt;i&gt;All My Dead Jesters&lt;/i&gt;.</image:caption>
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            <lastmod>2026-03-18T14:17:38+00:00</lastmod>
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                <image:image>
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                                            <image:caption>Jason Shulman, ‘Fay Wray’ (2017).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2804343454200804246269474294091/Large-Fay-Wray-closer_62x80cm-framed-copy.jpeg</image:loc>
                                            <image:caption>Jason Shulman, ‘Fay Wray’ (2017).</image:caption>
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            <lastmod>2026-04-01T10:03:58+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2772935783672035524436995262795/image.jpeg</image:loc>
                                            <image:caption>Ed Atkins, a ‘&lt;span class=&quot;small-caps&quot;&gt;Post-it&lt;/span&gt;’ note sketch, &lt;br /&gt;
&lt;i&gt;circa&lt;/i&gt; 2024,  see Steven Zultanski’s &lt;br /&gt;‘Yellowjacket,’ &lt;i&gt;Help&lt;/i&gt;. </image:caption>
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                <image:image>
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                                            <image:caption>Ed Atkins, a ‘&lt;span class=&quot;small-caps&quot;&gt;Post-it&lt;/span&gt;’ note sketch, &lt;br /&gt;
&lt;i&gt;circa&lt;/i&gt; 2024,  see Steven Zultanski’s &lt;br /&gt;‘Yellowjacket,’ &lt;i&gt;Help&lt;/i&gt;. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2793220846438125899030843279691/niagra-falls.jpg</image:loc>
                                            <image:caption>A photographic scan by Doug Harvey, &lt;br /&gt;
a ‘mouldy slide,’ a water-damaged image.</image:caption>
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            <lastmod>2026-03-23T20:42:09+00:00</lastmod>
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            <lastmod>2026-03-22T01:23:19+00:00</lastmod>
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            <url>
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            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2772624543159367660725081393483/Elsaltamarti_proof_v.1_21.1.2021.png</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2783654227902191657900817172811/11-brossa-joan-poema-1.jpg</image:loc>
                                            <image:caption>Joan Brossa, ‘Poema Objecte’ / ‘Object Poem’ (1967) &lt;br /&gt;&lt;span class=&quot;small-caps&quot;&gt;MACBA&lt;/span&gt;, Barcelona / Fundació Joan Brossa, © 1967 / 2026.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2783668649031752905890693564747/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Joan Brossa, ‘Homenatge al llibre’ / &lt;br /&gt;‘Homage to the Book’  (Mireia Miranda /  Fundació Joan Brossa, © 1994)&lt;/div&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2783687044604558554972013381963/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2783687444216375423742030039371/image.jpeg</image:loc>
                                            <image:caption>Fundació Joan Brossa, © 2026.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2783716350079871485872316795211/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Joan Brossa, ‘150 Homenatges’ / ‘150 Homages’ (1994).&lt;/div&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/E2783728153081493096339241879883/image.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2783728314711864670182333139275/image.png</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/W2783729902626041279174245796171/image.png</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2783732036988117583664205973835/Poetes Catalans - Pere Portabella (1970): Joan Brossa (fragment/excerpt)</image:loc>
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            <url>
                        <loc>https://tenementpress.com/liberty</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/O2783739708675383190213660690763/image.png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Schtinter, recording an ‘introduction to an introduction,’ &lt;br /&gt;Wadi Rum Film Festival (2020).&lt;/div&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2783743431117656800358919489867/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2783743698005150058788712270155/image.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Top&lt;/i&gt; &amp;#x26; &lt;i&gt;Bottom&lt;/i&gt;—John Akomfrah and Tony Grisoni &lt;br /&gt;
introducing the unknown at Close-Up Film Centre.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2783745476843127830674484152651/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Five men watching fire crews tackle a night-time blaze at Riverside Mills, Glasgow (&lt;i&gt;The Glasgow Herald&lt;/i&gt;, 1957)&lt;/div&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/S2783751087770825986835089639755/image.jpeg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/T2783751429681227393041628842315/image.jpeg</image:loc>
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            <url>
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            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
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                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;br /&gt;
長谷川 等伯  Hasegawa Tōhaku, &lt;br /&gt;松林図 屏風 ‘Shōrn-zu byōbu’ / &lt;br /&gt;
‘Pine Trees’ (1595).&lt;/div&gt;</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/U2783772638234930330239893686603/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2783785286097430516604282784075/Agitated Air | Poems After Ibn Arabi</image:loc>
                                            <image:caption>Marina Warner, Yasmine Seale and Robin Moger &lt;br /&gt;at the Warburg Institute [&lt;i&gt;Online.&lt;/i&gt;], April 27th 2022.</image:caption>
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            <url>
                        <loc>https://tenementpress.com/m-u-e-u-m</loc>
            
            
            <lastmod>2026-03-22T15:57:06+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2772845099293701727544155490635/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2783611502291437894785746258251/image.jpeg</image:loc>
                                            <image:caption>Fowler ‘on shift,’ &lt;i&gt;circa&lt;/i&gt; 2014, &lt;br /&gt;
as photographed by Alexander Kell.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2783809286233807616416412780875/image.jpeg</image:loc>
                                            <image:caption>Fowler, photographed in Resonance’s ‘Chapel’ &lt;br /&gt;
studios in the midsts of the &lt;i&gt;MUEUM&lt;/i&gt; sessions.</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2783813895982917916064813861195/Mueum Hours (SJ Fowler, Iain Sinclair, Chloe Aridjis, &amp; Chris McCabe at Brick Lane Bookshop)</image:loc>
                                            <image:caption>A record of launch readings to mark the publication of Fowler’s &lt;i&gt;MUEUM&lt;/i&gt;, with Fowler, Iain Sinclair, Chris McCabe and Chloe Aridjis ... An evening hosted by Gareth Evans at the Brick Lane Bookshop, October 2022.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2783816374635025612269845399883/SJ Fowler &amp; Gareth Evans (on &amp; around a novella called MUEUM)</image:loc>
                                            <image:caption>Fowler &amp;#x26; Gareth Evans in conversation &lt;br /&gt;
for Resonance Extra.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2783820523842723367685580835147/The Idea of a Fire Escape (Eley Williams &amp; SJ Fowler on &amp; around a novella called MUEUM)</image:loc>
                                            <image:caption>A conversation between Fowler and Eley Williams, &lt;br /&gt;
recorded for Montez Press Radio.
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2783828657676268252880432187723/Kell--2.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Left&lt;/i&gt; &amp;#x26; &lt;i&gt;Right&lt;/i&gt;, Alexander Kell, © 2014.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2783829289458806033358865484107/Kell--6.jpg</image:loc>
                                            <image:caption>Alexander Kell, © 2014.</image:caption>
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                    <image:loc>https://freight.cargo.site/t/original/i/R2784117125019294335497332246859/Kell--3.jpg</image:loc>
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            <url>
                        <loc>https://tenementpress.com/spir·i·tu·al-selectric</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/F2772846692705008070501514529099/image.jpeg</image:loc>
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                    <image:loc>https://freight.cargo.site/t/original/i/M2783840461858481484064768575819/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2783843796181259783361061374283/Jeffrey Vallance (Late Night with David Letterman, NBC 1983)</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2783850629722261656843328866635/image.jpeg</image:loc>
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            <url>
                        <loc>https://tenementpress.com/palace-of-rubble</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2772847542288253129268623755595/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2783541443439013841427082955083/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2783592973367119336858077808971/image.jpeg</image:loc>
                                            <image:caption>John Divola, as excerpted from &lt;br /&gt;
his ‘&lt;span class=&quot;small-caps&quot;&gt;Zuma&lt;/span&gt;’ series, 1977 / 1978.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2783869019853277804180330957131/Kyra Simone, Four Palaces (at McNally Jackson Books)</image:loc>
                                            <image:caption>Kyra Simone reading &lt;br /&gt;at McNally Jackson (New York), &lt;br /&gt;28th September 2022.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2783884824341070627796902136139/image.jpeg</image:loc>
                                            <image:caption>John Divola, as excerpted from &lt;br /&gt;his ‘&lt;span class=&quot;small-caps&quot;&gt;Zuma&lt;/span&gt;’ series, 1974 / 1975.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/la-rabbia</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2783556681667103834381548177739/image.jpeg</image:loc>
                                            <image:caption>Pasolini, photographed &lt;br /&gt;by Dino Pedriali 1975.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2783573859348972249010851203403/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2783574025849284258313264089419/image.jpeg</image:loc>
                                            <image:caption>Ed Feingersh, &lt;i&gt;circa&lt;/i&gt; 1955.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2783934268772524869994539043147/image.jpeg</image:loc>
                                            <image:caption>Mario Dondero, © 1963.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/lilith</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/Q2772853961644510315750328813899/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2782737707012252853162770352459/image.jpeg</image:loc>
                                            <image:caption>Oliver Bancroft, ‘A Rig’    &lt;span class=&quot;small-caps&quot;&gt;[I]    2o22.&lt;/span&gt;&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2783955327243518023491891939659/image.jpeg</image:loc>
                                            <image:caption>Oliver Bancroft, ‘A Rig’    &lt;span class=&quot;small-caps&quot;&gt;[II]    2022.&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
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            <url>
                        <loc>https://tenementpress.com/dolors-miquel</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/J2772855810801476496616911456587/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2774024678446423909225129494859/heaven-2.jpeg</image:loc>
                                            <image:caption>Doug Harvey, ‘Heaven’    &lt;span class=&quot;small-caps&quot;&gt;[I]&lt;/span&gt;    2023.&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2783981932890261814409639938379/image.jpeg</image:loc>
                                            <image:caption>Dolors Miquel, photographed in 2023.&lt;br /&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2783989304190746924672756140363/image.jpeg</image:loc>
                                            <image:caption>Doug Harvey, ‘Heaven’    &lt;span class=&quot;small-caps&quot;&gt;[II]&lt;/span&gt;    2023.&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2783994766179433429702441879883/Dolors Miquel, El guant de plàstic rosa / The Pink Plastic Glove (Sant Jordi USA)</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Three poems to open the 2023 programme for the &lt;span class=&quot;small-caps&quot;&gt;Sant Jordi USA&lt;/span&gt; (featuring Miquel’s ‘Si jo hagués dit’ / ‘If I Had Said’ (Steinian Portrait of a Man in the Sink), ‘Fregall’ / ‘The Scourer,’ and ‘Ploraneres al tanatori’ / ‘Wailers in the Thanatorium’), with bilingual readings from Dolors Miquel, Peter Bush and Nadia de Vries.&lt;/div&gt;</image:caption>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2783997698289403945835671243083/image.jpeg</image:loc>
                                            <image:caption>Helena Gomà, © 2023.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2784000144456795328238182385995/image.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/last-movies</loc>
            
            
            <lastmod>2026-03-28T22:21:22+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2772862891325934772996365535563/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2780812905962264271738264275275/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2782015252270989666484938262859/John-Dillinger-s-Death-Mask--July-2019.jpg</image:loc>
                                            <image:caption> A study of John Dillinger’s death mask (forged following Dillinger’s death in 1934). The creation of the ‘&lt;i&gt;mask&lt;/i&gt;’ is attributed to one Harold May ...&lt;br /&gt;        
‘&lt;i&gt;Just 12 hours after Dillinger’s death on July 22, 1934, May, of the Reliance Dental Manufacturing Co., created this death mask of Dillinger’s face at the Cook County Morgue in Chicago to demonstrate the quality of&lt;/i&gt; [his] &lt;i&gt;company’s plaster&lt;/i&gt;.’ </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2782024625449035143856014936395/image.jpeg</image:loc>
                                            <image:caption>John F. Kennedy, care of the Library of &lt;br /&gt;
Congress, &lt;i&gt;circa&lt;/i&gt; 1961.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2784013864204253405643487234379/image.jpeg</image:loc>
                                            <image:caption>A crowd assembled outside the Biograph Theatre (Chicago, &lt;span class=&quot;small-caps&quot;&gt;IL&lt;/span&gt;) &lt;br /&gt;following the assasination of John Dillinger, 1934.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2784014596558439875986395941195/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2784020519863302176344548493643/2024_01_27_03_thumb.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2836434302884715341286999247179/JFK-A3---black-_-orange-paper.jpg</image:loc>
                                            <image:caption>A promotional poster, designed &lt;br /&gt;
by Traven T. Croves.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2836434482666683083660289296715/schtinter-vig-susu-1.jpg</image:loc>
                                            <image:caption>Schtinter, photographed &lt;br /&gt;
by Susu Laroche, London, &lt;br /&gt;
February 2026.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/mario-benedetti</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2772871427685882090607342700875/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2784432274212563977526138030411/Mario-Benedetti-Montevideu.jpg</image:loc>
                                            <image:caption>Mario Benedetti, Montevideo, 1963 /&lt;br /&gt;Fundación Benedetti, © 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2784433941355506383100574878027/Microsoft-Word---Juan-Angel-DECEMBER-DRAFT.docx.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2784436328622443938148487711051/4.jpg</image:loc>
                                            <image:caption>A demonstration against the coup d&amp;#x27;état &lt;br /&gt;
in Uruguay, Montevideo, 9 July 1973, &lt;br /&gt;
Aurelio Gonzalez, © 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2784438320833910410632643135819/2008_244_7_cropped.jpeg</image:loc>
                                            <image:caption>&lt;b&gt;&lt;/b&gt;William Cordova, ‘Tupamaros, &lt;i&gt;after&lt;/i&gt; Raúl Sendic’ (2007 / 2008), &lt;br /&gt;Whitney Museum of American Art (New York City, &lt;span class=&quot;small-caps&quot;&gt;NY&lt;/span&gt;).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2784443458547282843922121017675/esperando-al-guerrillero-sendic-r.-1965-original.jpeg</image:loc>
                                            <image:caption>A march (Montevideo, Uruguay), &lt;br /&gt;‘Esperando al guerrillero,’ &lt;i&gt;Época&lt;/i&gt; (1965).</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/edwina-attlee</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2772874220891869731707648395595/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2784453517667506702182874532171/1280px-Anatomical_Man.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;The Limbourg Brothers, the ‘Anatomical, Zodiac Man,’ as excerpted from the &lt;i&gt;Très Riches Heures&lt;/i&gt; (1412 / 1416).&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2784456769607125968292309813579/a5f4214f74981d1e428a7e619a8c0cd8.jpeg</image:loc>
                                            <image:caption>Attlee, &lt;i&gt;circa&lt;/i&gt; 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2784460527227340527001683544395/475px-Les_TrC3A8s_Riches_Heures_du_duc_de_Berry_mars-2.jpg</image:loc>
                                            <image:caption>The Limbourg Brothers, ‘Labours of the Months,’ &lt;span class=&quot;small-caps&quot;&gt;&lt;i&gt;March &lt;/i&gt;&lt;/span&gt;(the Château de Lusignan), as excerpted from the &lt;i&gt;Très Riches Heures&lt;/i&gt; (1412 / 1416).&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2784463915174803848571642890571/461px-Les_TrC3A8s_Riches_Heures_du_duc_de_Berry_fC3A9vrier.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/terra-cosmica</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2772883983425342372866231028043/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2784475863094046902100805470539/1-3.jpeg</image:loc>
                                            <image:caption>Tusa, 2024.&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2784477595907398210081246071115/1.jpeg</image:loc>
                                            <image:caption>A still from Harun Farocki&amp;#x27;s &lt;i&gt;Das Silber und das Kreuz&lt;/i&gt; / &lt;i&gt;The Silver and the Cross&lt;/i&gt; (2010).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2784480173507841117664312478027/Gaspar-Miguel-de-Berrio---Description-of-Cerro-Rico-and-the-Imperial-Municipality-of-P---MeisterDrucke-283257.jpg</image:loc>
                                            <image:caption>Gaspar Miguel des Berrío, ‘El Cerro Rico &lt;br /&gt;
y la Villa Imperial de Potosi’ / ‘Cerro Rico &lt;br /&gt;
and the Imperial Municipality of Potosi’ (1758).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2784486909004398239380313131339/fr.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/dreamt-by-ghosts</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2772887785944932006984653392203/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2785393942733859935295963842891/image.jpeg</image:loc>
                                            <image:caption>A collage-work by McCabe, &lt;br /&gt;
&lt;i&gt;circa &lt;/i&gt;2021.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2785397908285773692859403389259/image.jpeg</image:loc>
                                            <image:caption>Abney Cemetery, London (2024).&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2785398351007631461888642173259/image.jpeg</image:loc>
                                            <image:caption>Albert de Rochas (&lt;i&gt;circa&lt;/i&gt; 1909).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2785400191420840951816897349963/image.jpeg</image:loc>
                                            <image:caption>McCabe (&lt;i&gt;Right&lt;/i&gt;) and Iain Sinclair (&lt;i&gt;Left&lt;/i&gt;) reading at Abney Park Chapel at a launch event to mark the publication of &lt;i&gt;Ghosts &lt;/i&gt;for Abney’s &lt;span class=&quot;small-caps&quot;&gt;Radical Writers&lt;/span&gt; series, 27.03.25.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2785400349214289758328401873227/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2785404808640882601317666834763/The Dreamers (℅ Marie-Louise Von Franz)</image:loc>
                                            <image:caption>An excerpt from &lt;i&gt;The Way of the Dream&lt;/i&gt;, a 1983 television series in which director Fraser Boa collects first-person accounts of dreams in a series of street interviews before presenting them to Von Franz for analysis.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/six-sermons-for-bob-dylan</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2772889946150896758741695383883/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2785414292812987170199115581771/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Jet Lowe, [&lt;span class=&quot;small-caps&quot;&gt;INTERIOR, VIEW FROM BEHIND PULPIT, LOOKING TOWARD &lt;br /&gt;BALCONY&lt;/span&gt;] Martin Luther King, Jr. National Historic Site, Ebenezer Baptist Church, 407 Auburn Avenue Northeast, Atlanta, Fulton County, &lt;span class=&quot;small-caps&quot;&gt;GA&lt;/span&gt;.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2785419860446176985363403426123/image.jpeg</image:loc>
                                            <image:caption>Ebenezer Baptist Church, Atlanta, &lt;span class=&quot;small-caps&quot;&gt;GA&lt;/span&gt;.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2785422744520825933556960381259/image.jpeg</image:loc>
                                            <image:caption>Sante, photographed by Jem Cohen, © 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2785423459221478325359828191563/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Dylan, on stage at the Olympic Stadium &lt;br /&gt;
(Colombes, France / June 23rd, 1981).&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2785425179140555525817292212555/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2785427033425716559175130204491/image.jpeg</image:loc>
                                            <image:caption>Reverend &lt;span class=&quot;small-caps&quot;&gt;D.C.&lt;/span&gt; Rice.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2785427807820032773502107044171/AAA.-Lord-Keep-Me-With-A-Mind2.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;small-caps&quot;&gt;Vocalion&lt;/span&gt; 1195.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2785434721235436486146733033803/image.png</image:loc>
                                            <image:caption>Toby Jones (Stoke Newington &lt;br /&gt;
Old Church, 21.05.25).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2785437456057479133956307863883/image.png</image:loc>
                                            <image:caption>Vanessa Onwuemezi (Stoke Newington &lt;br /&gt;Old Church, 21.05.25).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2785441023897590662341814569291/image.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/wadih-saadeh</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2772894174089298220749797116235/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2780801247767583639891319376203/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2785444048407302243686187977035/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;The poet and his mother, &lt;br /&gt;
(&lt;i&gt;Date unknown&lt;/i&gt;).&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2785446999978587757582994295115/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2785455119645033194168910006603/Wadih Saadeh, الموتى نيام   وديع سعادة / &#039;The dead are sleeping&#039;</image:loc>
                                            <image:caption>&lt;br /&gt;&lt;br /&gt;
Wadih Saadeh, الموتى نيام وديع سعادة / &lt;br /&gt;
‘The dead are sleeping’ &lt;br /&gt;
&lt;br /&gt;
&lt;i&gt;They were naked,&lt;br /&gt;and they had children&lt;br /&gt;whose hair they stroked in the evenings,&lt;br /&gt;and slept.&lt;br /&gt;They were naked and they were simple.&lt;br /&gt;Sweating all day, smiling, stopping&lt;br /&gt;before shop windows coming home&lt;br /&gt;and measuring clothes for the children &lt;br /&gt;            
with their eyes,&lt;br /&gt;and walking on.&lt;br /&gt;&lt;br /&gt;They would take two paces and touch,&lt;br /&gt;ahead of the dawn breeze, &lt;br /&gt;the trunks of the trees&lt;br /&gt;and beneath their eyes boughs would fruit&lt;br /&gt;in January snows,&lt;br /&gt;and their sickles keened for the fields&lt;br /&gt;and the breeze between the villages &lt;br /&gt;was always there to call to them,&lt;br /&gt;&lt;br /&gt;when suddenly their wheat stalks turned to ribs &lt;br /&gt;and the breeze to grass &lt;br /&gt;that grew over their bodies.&lt;br /&gt;&lt;br /&gt;They were naked&lt;br /&gt;and the sun would, every evening,&lt;br /&gt;lay its light silk cover&lt;br /&gt;back over their souls.&lt;/i&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2785457950666846186373796514123/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2785465227390874430728041580875/image.jpeg</image:loc>
                                            <image:caption>Saadeh selling his poems on Hamra Street, Beirut &lt;br /&gt;(Haidar Abbas Abadi. ©&lt;i&gt; &lt;/i&gt;1968).</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/audible-heat</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2772897643848071509221617879371/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2785504331518384899110229690699/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Milo Thesiger-Meacham, &lt;span class=&quot;small-caps&quot;&gt;Opuntia cacti &lt;/span&gt;/ &lt;span class=&quot;small-caps&quot;&gt;Prickly Pear Cacti&lt;/span&gt;, © 2019.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2785507400447856209947203389771/image.jpeg</image:loc>
                                            <image:caption>Clint Eastwood on the set of Sergio Leone’s &lt;br /&gt;&lt;i&gt;Il buono, il brutto, il cattivo &lt;/i&gt;/ &lt;i&gt;The Good, the Bad, &lt;br /&gt;
and the Ugly&lt;/i&gt; (1966).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2785507752799114761873348806987/image.jpeg</image:loc>
                                            <image:caption>Crew lowering the skeleton of an unknown actress into a casket, Sad Hill Cemetery, on the set of Leone’s&lt;i&gt; Il buono, il brutto, il cattivo&lt;/i&gt; /  &lt;i&gt;The Good, the Bad, and the Ugly&lt;/i&gt; (1966), &lt;i&gt;circa&lt;/i&gt; 1964.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2785510371628030674197263075659/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2785514754592869331660436588875/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2785518247280945503753230010699/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Sergio Leone, on the set of &lt;i&gt;C’era una volta il west / &lt;br /&gt;Once Upon a Time in the West &lt;/i&gt;(1968).&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2785522634045813440400571156811/image.jpeg</image:loc>
                                            <image:caption>(A cicada in the author’s hand.)</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/steven-zultanski</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2772904281890479689530057345355/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2779065027616239894549597702475/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2785528800607889840766580869451/image.png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Ed Atkins, © 2025.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2785531059762189803901657729355/image.jpeg</image:loc>
                                            <image:caption>Ralph Gibson, from &lt;br /&gt;
the ‘&lt;span class=&quot;small-caps&quot;&gt;Days at Sea&lt;/span&gt;’ series, &lt;br /&gt;
&lt;i&gt;circa&lt;/i&gt; 1974.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2785536601791298844757087930699/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/batool-abu-akleen</loc>
            
            
            <lastmod>2026-04-01T23:21:23+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2772907139826092285277179660619/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2785546587954649891496564803915/Batool Abu Akleen reads her poem, &#039;Judgement Day&#039;</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2785547165632887303784883210571/image.jpeg</image:loc>
                                            <image:caption>Gaza, the Old Town (circa 1862), &lt;br /&gt;
℅ the Library of Congress.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2785550617406085120389891148107/image.png</image:loc>
                                            <image:caption>Abu Akleen, September 2025.&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2785553125167154964908595136843/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2785565526599601070587084196171/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2785567373247810057429167819083/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/alix-chauvet</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2772908877915212398338552023371/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2785592350914049111257857050955/image.jpeg</image:loc>
                                            <image:caption>Wieke Willemsen, ‘Still life, Point Addis Beach,’ © 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2785594486714971453497162254667/Chauvet &amp; Kivland, &#039;Making the Prince of Clouds Mine&#039; (Stichting Perdu, 19.12.25)</image:loc>
                                            <image:caption>Chauvet,  reading alongside Sharon Kivland / &lt;br /&gt;Stichting Perdu, Amsterdam (19.12.25).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2785598792443292674338443151691/image.png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Chauvet, photographed &lt;br /&gt;
by Daria Lou Nakov, © 2024.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2785600506920580373051589445963/image.jpeg</image:loc>
                                            <image:caption>Chauvet, &amp;#x27;Stems from a shadow,&lt;i&gt;&amp;#x27; &lt;br /&gt;&lt;/i&gt;as excepted from &lt;i&gt;Cyclamen&lt;/i&gt;, 
© 2024. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2785602193248136615283959974219/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Baudelaire’s annotations to the frontispiece of the 1857 Poulet-Malassis et de Broise edition of &lt;i&gt;Les Fleurs du mal&lt;/i&gt; / &lt;i&gt;The Flowers of Evil&lt;/i&gt; (the Gallica Digital Library).&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/empedocles</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2772910493407271397526244346187/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2785666833517062969051512490315/image.png</image:loc>
                                            <image:caption>R. Martz, pictured in Tillett’s &lt;br /&gt;
&lt;span class=&quot;small-caps&quot;&gt;East Hamlet&lt;/span&gt; (1984).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2785679823382198281990988548427/image.png</image:loc>
                                            <image:caption>R. Martz, pictured in Tillett’s &lt;br /&gt;
&lt;span class=&quot;small-caps&quot;&gt;East Hamlet&lt;/span&gt; (1984).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2785681249592216340844971739467/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;A single frame from the Jean Marie-Straub &lt;br /&gt;and Danièle Huillet&amp;#x27;s &lt;i&gt;Hommage à Vernon&lt;/i&gt; (1988), &lt;br /&gt;showing the production team on location—Etna, &lt;br /&gt;Sicily—during filming of Straub and Huillet&amp;#x27;s &lt;i&gt;Der Tod &lt;br /&gt;des Empedokles&lt;/i&gt; / &lt;i&gt;The Death of Empedocles&lt;/i&gt; (1987). &lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2785683416512795935432290519371/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2785684055913839018352768633163/p268-copy.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2785686929031121986762851928395/image.jpeg</image:loc>
                                            <image:caption>Salvator Rosa, a study for ‘The Death of Empedocles’ (The National Gallery of Victoria, Australia); depicting the legendary, alleged suicide of Empedocles as he leaps into the mouth of Mount Etna, Sicily.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/sharon-kivland</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2772600625701297499279161739595/TenementPress_LiberatedFilmClub_CoverMockup_01.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2772911943708737216644901947723/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2779065027616239894549597702475/image.jpeg</image:loc>
                                            <image:caption>A doctored photograph, &lt;br /&gt;
Kivland &lt;i&gt;circa&lt;/i&gt; 2024.&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2785704977878926026399439571275/image.jpeg</image:loc>
                                            <image:caption>A postcard, drawn from Kivland’s &lt;i&gt;Envois&lt;/i&gt;.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2785705437848489504347109116235/image.jpeg</image:loc>
                                            <image:caption>A doctored photograph, &lt;br /&gt;Kivland &lt;i&gt;circa&lt;/i&gt; 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2785746114524038768321153386827/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2785746361249240754186406250827/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2785755664366552239608605886795/image.jpeg</image:loc>
                                            <image:caption>A postcard, as drawn from Kivland’s &lt;br /&gt;
&lt;i&gt;These are addressed to you&lt;/i&gt; (Bricks from&lt;br /&gt;
the Kiln, 2025).&lt;br /&gt;

</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2785758120402951701445727144267/Chauvet &amp; Kivland, &#039;Making the Prince of Clouds Mine&#039; (Stichting Perdu, 19.12.25)</image:loc>
                                            <image:caption>Kivland,  reading alongside Alix Chauvet / &lt;br /&gt;Stichting Perdu, Amsterdam (19.12.25).</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/barabus</loc>
            
            
            <lastmod>2026-03-23T17:55:48+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2772845099293701727544155490635/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2774018964899488471018288367947/DSCF6925-copy.jpg</image:loc>
                                            <image:caption>Fowler, photographed &lt;br /&gt;by Alexander Kell, © 2024.&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2777989314792932862238500505931/SJ-Fowler---Barabus---Sticker.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;small-caps&quot;&gt;51.4889° n / 2.5963° w&lt;/span&gt;, &lt;i&gt;circa&lt;/i&gt; 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2783611502291437894785746258251/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2789215882778953694028626053451/Barabus_Cover.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/nadia-de-vries</loc>
            
            
            <lastmod>2026-03-23T18:15:58+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2772917493909753882153663514955/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2774744244648926081871693138251/NdV-ZS-25-004.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;De Vries, photographed by Zazie Stevens &lt;br /&gt;in Vondelpark, Amsterdam, © 2025.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2785962309663606369465129945419/3430_-_Athens_-_Stoa_of_Attalus_-_Nike_-_Photo_by_Giovanni_Dall-Orto-_Nov_9_2009-copy.jpg</image:loc>
                                            <image:caption>Giovanni Dall’Orto, The Goddess Nike (Acroterion / Pentelic Marble), Museum of the Ancient Agora / Stoa of Attalos (Athens, Greece), © 2009.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2785965013310651532705562544459/IMG_20251228_0044-copy.jpg</image:loc>
                                            <image:caption>Maddin, © 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2785965421813799045003583080779/IMG_20251228_0013.jpeg</image:loc>
                                            <image:caption>Maddin, © 2025.&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2785976775434288275832121248075/IMG_20251228_0043-copy.jpg</image:loc>
                                            <image:caption>Maddin, © 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2785987778806447779137402882379/New-Canons--ICA-Flyer.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/cristina-viti</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2772920584680170176262746327371/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2785941626178026746335542298955/IMG_2251-1.jpg</image:loc>
                                            <image:caption>Jaeckle / Tangier, &lt;i&gt;circa&lt;/i&gt; 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2785941724222471498101809137995/IMG_2250.jpg</image:loc>
                                            <image:caption>Jaeckle / Tangier, &lt;i&gt;circa&lt;/i&gt; 2025.&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2785942141118887563937675659595/IMG_2284.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2785942226361291928549513677131/IMG_2279.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/ziba-karbassi</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2772918306802424978312474577227/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2787354732994154698507772152139/image.jpeg</image:loc>
                                            <image:caption>Stephen Watts, a drawn poem, &lt;br /&gt;excerpted from &lt;i&gt;A Book of Drawn &lt;br /&gt;
Poems&lt;/i&gt; (&lt;span class=&quot;small-caps&quot;&gt;Sylvia&lt;/span&gt;, 2025).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2787356423379994636956244035915/image.jpeg</image:loc>
                                            <image:caption>Stephen Watts, a drawn poem, &lt;br /&gt;excerpted from &lt;i&gt;A Book of Drawn &lt;br /&gt;Poems&lt;/i&gt; (&lt;span class=&quot;small-caps&quot;&gt;Sylvia&lt;/span&gt;, 2025).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2787358023764170239775813585227/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2787360212027632727645083584843/Ziba Karbassi, &#039;Poetry For Jhina and Hasti Hossein Panahi&#039; (The Royal College of Physicians, London)</image:loc>
                                            <image:caption>A reading at the Royal College of Physicians, London, for &lt;span class=&quot;small-caps&quot;&gt;International Women’s Day&lt;/span&gt;, 2023 / a reading for Jhina and Hasti Hossein Panahi, sponsored by &lt;a class=&quot;small-caps&quot; href=&quot;https://onelawforall.org.uk/&quot;&gt;One Law for All&lt;/a&gt; and the &lt;a href=&quot;https://iranfreedomcharter.com/&quot; target=&quot;_blank&quot;&gt;&lt;span class=&quot;small-caps&quot;&gt;Woman, Life, Freedom&lt;/span&gt; Charter&lt;/a&gt;.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2787365512607308587716192684363/image.jpeg</image:loc>
                                            <image:caption>Stephen Watts, a drawn poem, &lt;br /&gt;excerpted from &lt;i&gt;A Book of Drawn &lt;br /&gt;Poems &lt;/i&gt;(&lt;span class=&quot;small-caps&quot;&gt;Sylvia&lt;/span&gt;, 2025).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2823572463299915542664121076043/4-Alpha-Drawings.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2823572463318362286737830627659/5-Alpha-Drawings.jpeg</image:loc>
                                            <image:caption>Yves Berger, &lt;i&gt;Two Alphabet Drawings&lt;/i&gt;, &lt;br /&gt;
Left and Right, © 2026.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/robin-moger</loc>
            
            
            <lastmod>2026-03-31T17:39:26+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2772919302963498446775680944459/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2787377113506402126621270264139/image.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;small-caps&quot;&gt;I.&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2787380631540304655990987606347/image.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;small-caps&quot;&gt;i. / ii. / iii. / iv. / v. / vi. &amp;#x26; Vii., &lt;/span&gt;&lt;br /&gt;
James Brankovic Moger, © 2025. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2787381228624516833821754313035/image.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;small-caps&quot;&gt;II.&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2787382101745807330642251401547/image.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;small-caps&quot;&gt;III.&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2787382904271408257376294455627/image.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;small-caps&quot;&gt;IV.&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2787385916218887124524463212875/image.png</image:loc>
                                            <image:caption>&lt;span class=&quot;small-caps&quot;&gt;V.&lt;/span&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2787388532944874212445488597323/image.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;small-caps&quot;&gt;VI.&lt;/span&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/imogen-cassels</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2772944157405487088224565381451/HaresontheMountain.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2786002406299734979716033202507/Goya_Liebres_muertas.jpg</image:loc>
                                            <image:caption>Francisco Goya, ‘Liebres muertas’ (1808 / 1812).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2786003535443386475551397169483/freud-lucien-ac-243-pcf.jpg</image:loc>
                                            <image:caption>Lucien Freud, ‘Dead Cock’s Head’ (1951).&lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2786004308730898045455800912203/hare.jpg</image:loc>
                                            <image:caption>Jean-Siméon Chardin, ‘Still Life &lt;br /&gt;
with Dead Hare’ (1760).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2786007887565269041772200380747/Imogen-Cassels.jpg</image:loc>
                                            <image:caption>Cassels, &lt;i&gt;circa&lt;/i&gt; 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2786009551535371466668594350411/dd5660d8-d6ba-4fc9-a34e-a9dcf24032c9_700x1062-copy.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Shirley Collins / &lt;span class=&quot;small-caps&quot;&gt;Photographer unknown&lt;/span&gt; / &lt;br /&gt;mid- to late-1950s (℅ the Peter Kennedy collection).&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2786011294881813640737188923723/petriecollection01petr-dragged.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2786012162671995100255625595211/Blackbirds---Thrushes.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/raul-guerrero</loc>
            
            
            <lastmod>2026-03-22T01:23:21+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2790073348760477014998287305035/Writer_Raul_B_and_White.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;small-caps&quot;&gt;Then&lt;/span&gt;, courtesy of the artist. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2790093686000670374599591119179/jlmain3.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Raúl Guerrero, ‘Sonoran Desert—Flora, Fauna, Artifacts,’ &lt;br /&gt;(Flying Studio, Los Angeles, &lt;span class=&quot;small-caps&quot;&gt;CA&lt;/span&gt;, 
2019).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2790102989708277670380496406859/02.-Las-Indias-C-300-434B46.jpg.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Raúl Guerrero, ‘Las Indias’ &lt;br /&gt;
(&lt;span class=&quot;small-caps&quot;&gt;Cue&lt;/span&gt; Art Foundation, New York, &lt;span class=&quot;small-caps&quot;&gt;NY&lt;/span&gt;, 2006)&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2790110643114819899883785472331/In Conversation: Raul Guerrero and Gean Moreno</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2790116608256897759415201089867/RG-7-copy.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2790118118362707865500225030475/RG-8-copy.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2790127881191328411838160488779/6d7d94fe1a1370706c5b5bc0f0321338.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;small-caps&quot;&gt;Now&lt;/span&gt;&lt;i&gt;,&lt;/i&gt; Elon Schoenholz, © 2025. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2790162702224672637820687534411/1952-ca.-NASH-Rambler-Flying-Scot-engine-ad-FB.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2790165658499877890513429514571/RG-10-copy.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2798598062448157409818587613515/StoryofMaize_Cover.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/poems-on-the-theatre</loc>
            
            
            <lastmod>2026-03-22T01:23:22+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2825230332676693637761470744907/PoemsontheTheatre_Cover.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2825284763244624259577199905099/Bundesarchiv_Bild_183-19204-2132-_Berlin-_Bertolt_Brecht_und_Hanns_Eisler.jpg</image:loc>
                                            <image:caption> &lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2825289330842924350799275542859/photo-A-J-colour-1970-copy.jpeg</image:loc>
                                            <image:caption>John Berger, &lt;i&gt;Left&lt;/i&gt;, and Anna Bostock / Anya Berger, &lt;i&gt;Right&lt;/i&gt;; &lt;br /&gt;Bonnieux, France, 1970. Katya Berger, © 2026.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2825296244369008527886158842187/sight-sound-summer-autumn-1959.jpg</image:loc>
                                            <image:caption>&lt;i&gt;Sight &amp;#x26; Sound&lt;/i&gt; (1959).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2825316223834600577890709064011/img-7996.jpeg</image:loc>
                                            <image:caption>Anya Berger in the early 1960s / &lt;br /&gt;
Katya Berger, © 2026.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2825329221613389098451582765387/John-Berger-Centenary-visual--Carmen-Balcells-Agency-and-John-Berger-Estate.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2826596659269273681385474935115/photo-A-J-bw-ornans-copy.jpeg</image:loc>
                                            <image:caption>John Berger, &lt;i&gt;Left&lt;/i&gt;, and Anna Bostock / Anya Berger, &lt;i&gt;Right&lt;/i&gt;; &lt;br /&gt;photographed by Jean Mohr, Ornans, France, &lt;i&gt;early&lt;/i&gt;-1970s. &lt;br /&gt;
Katya Berger, © 2026.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2826601938026451302258184472907/W1siZiIsIjE5MTQ3MiJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MTQ0MFx1MDAzZSJdXQ.jpg</image:loc>
                                            <image:caption>Joseph Breitenbach, ‘Bertolt Brecht, Paris 1939,’ &lt;span class=&quot;small-caps&quot;&gt;&lt;br /&gt;
M&lt;/span&gt;o&lt;span class=&quot;small-caps&quot;&gt;MA&lt;/span&gt;, © 2026.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2826617061091518043043918956875/Brecht-Fotoarchiv_01-048.png</image:loc>
                                            <image:caption>℅ Berliner Ensemble (&lt;a href=&quot;https://www.berliner-ensemble.de&quot; target=&quot;_blank&quot;&gt;berliner-ensemble.de&lt;/a&gt;) / &lt;br /&gt;
Akademie der Künste, Berlin, Bertolt-Brecht-Archiv, &lt;br /&gt;
Fotoarchiv 01/048. Zander &amp;#x26; Labisch, © 2026.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/dvd-extras</loc>
            
            
            <lastmod>2026-03-22T01:23:21+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
            <url>
                        <loc>https://tenementpress.com/the-narcissists</loc>
            
            
            <lastmod>2026-03-22T01:23:21+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2791772460611338602889048410443/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/audible-heat-world-service</loc>
            
            
            <lastmod>2026-03-22T01:23:21+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2791772460611338602889048410443/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2791788163955633670356148078923/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2791788449345211234716621130059/image.jpeg</image:loc>
                                            <image:caption>&lt;span class=&quot;small-caps&quot;&gt;Casignano&lt;/span&gt; / &lt;span class=&quot;small-caps&quot;&gt;Bed &amp;#x26; Breakfast&lt;/span&gt;&lt;br /&gt;Via di Casignano, 1, 50012 &lt;br /&gt;Bagno A Ripoli &lt;br /&gt;FIorence, Italy. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2791794306850537424152803068235/image.jpeg</image:loc>
                                            <image:caption>Sergio Leone on set in the Mirandilla Valley,&lt;br /&gt;Badajoz Province, Extremadura, Spain (1966).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2791795935439784715674277038411/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/no-university-press</loc>
            
            
            <lastmod>2026-03-22T01:23:19+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
            <url>
                        <loc>https://tenementpress.com/an-anarchist-playbook</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2772867546822970375444454623563/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2787128121992779597634023377227/image.jpeg</image:loc>
                                            <image:caption>(Desperret, 1833).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2787130629218893864015150369099/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;A page [&lt;i&gt;detail&lt;/i&gt;] from a manuscript by Ange Chiappe denouncing Philippe Buonarroti, &lt;i&gt;circa&lt;/i&gt; 1793.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2787132516929555158934695889227/image.png</image:loc>
                                            <image:caption>A photograph by Maya Balcioglu of a student rehearsal of &lt;i&gt;The Last Judgement of All Kings&lt;/i&gt; (King’s College, London, 2015).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2787133352253467048724321716555/image.jpeg</image:loc>
                                            <image:caption>A production still from the Milan-based theatrical company, &lt;br /&gt;&lt;span class=&quot;small-caps&quot;&gt;Teatro dell’Elfo&lt;/span&gt;, and their take on Ariane Mnouchkine’s play &lt;i&gt;1789&lt;/i&gt; (Giovanni Bachi, © 2024).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2787133688869652905776219605323/image.jpeg</image:loc>
                                            <image:caption>A production still from the Milan-based &lt;br /&gt;
theatrical company, &lt;span class=&quot;small-caps&quot;&gt;Teatro dell’Elfo&lt;/span&gt;, &lt;br /&gt;
and their take on Ariane Mnouchkine’s &lt;br /&gt;
play &lt;i&gt;1789&lt;/i&gt; (Giovanni Bachi, © 2024).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2787137274160384327890962139467/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2787141544452510183136194382155/image.jpeg</image:loc>
                                            <image:caption>A production still from the Milan-based theatrical company, &lt;br /&gt;&lt;span class=&quot;small-caps&quot;&gt;Teatro dell’Elfo&lt;/span&gt;, and their take on Ariane Mnouchkine’s play &lt;i&gt;1789 &lt;/i&gt;(Giovanni Bachi, © 2024).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2787144715189562036776183449931/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2787145671874603187500949358923/Les_antiquites_d-Herculanum_-_avec_leurs_explications_en_francois_1780_14579703630.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/midsummer-song</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2779153447712078875816105265483/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2781057203572730036814135609675/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2787098092040039915864789797195/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2787098862099371272870022007115/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2787099438633910552588348213579/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2787100083200041976147500779851/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2787105281289607762688341100875/Maria Sledmere, &#039;Midwinter Letter&#039; (Midsummer Song)</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/richard-prins</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2787150218683422707652360325451/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2787153133896175652267640408395/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;span class=&quot;small-caps&quot;&gt;X&lt;/span&gt; Plastaz. &lt;i&gt;Maasai Hip Hop &lt;/i&gt;&lt;br /&gt;(Outhere Records, 2004) / &lt;br /&gt;Album artwork, &lt;i&gt;detail&lt;/i&gt;.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2787163450662073988029701343563/image.png</image:loc>
                                            <image:caption>&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2787175788877528153105557014859/image.jpeg</image:loc>
                                            <image:caption>Kwanza Unit, &lt;i&gt;circa&lt;/i&gt; 1994. &lt;br /&gt;
&lt;br /&gt;(&lt;i&gt;Left to Right&lt;/i&gt;, &lt;span class=&quot;small-caps&quot;&gt;KBC&lt;/span&gt;, &lt;span class=&quot;small-caps&quot;&gt;D&lt;/span&gt; Rob, Fresh-&lt;span class=&quot;small-caps&quot;&gt;G&lt;/span&gt;, &lt;br /&gt;&lt;span class=&quot;small-caps&quot;&gt;Y&lt;/span&gt;-Thang, Eazy &lt;span class=&quot;small-caps&quot;&gt;B&lt;/span&gt;, Chief Rhymson.)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2787178156627810478168764238155/image.jpeg</image:loc>
                                            <image:caption>Saleh J, &lt;i&gt;King of Swahili Rap &lt;/i&gt;(Perullo, 2007) / Album artwork, &lt;i&gt;detail&lt;/i&gt;.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2787197078504671294257301211467/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;The author’s own personal copy &lt;br /&gt;of &lt;i&gt;Funga Kazi &lt;/i&gt;on cassette.&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2787200438708231528968094927179/IMG_2781.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2787201191040241831138448034123/image.png</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Zavara Mponjika &lt;br /&gt;&lt;i&gt;aka&lt;/i&gt;. Chief Rhymson, &lt;br /&gt;&lt;i&gt;circa&lt;/i&gt; 2022.  &lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2787204052314715104226999191883/image.png</image:loc>
                                            <image:caption>Suma ‘&lt;span class=&quot;small-caps&quot;&gt;G&lt;/span&gt; for Genius’ &lt;span class=&quot;small-caps&quot;&gt;G&lt;/span&gt;.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2787205228165522594694947850571/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;Suma G, &lt;i&gt;Noma &lt;/i&gt;&lt;br /&gt;(&lt;span class=&quot;small-caps&quot;&gt;DK&lt;/span&gt; Records, 2025).&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2787208978425486267994210486603/image.jpeg</image:loc>
                                            <image:caption>Ferooz, &lt;i&gt;Safari&lt;/i&gt; (Bongo Records, 2004).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2787213107249531821960891386187/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2787216613846453025630686726475/Kwanza Unit, &#039;Msafiri&#039; (1999)</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2787217201467485493648453454155/Sloter feat. Juma Nature, &#039;Hadithi Hadithi&#039; (2021)</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2787217861658009147639596239179/Suma G, &#039;Vituko Uswahilini&#039; (2004)</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2787218845164616181538050197835/Ferooz, feat. Professor Jay, &#039;Starehe&#039; (2004)</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2787219557965253933748834191691/BDP,  &#039;Majobless&#039; (2002)</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2787220076779931006829973391691/Afande Sele, feat. Ditto, &#039;Darubini Kali&#039; (2004)</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2787221125477331597217982761291/Nash MC, feat. P. Mawenge, &#039;Ungejua Napotokea&#039; (2023)</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/harry-caul</loc>
            
            
            <lastmod>2026-03-22T01:23:19+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
            <url>
                        <loc>https://tenementpress.com/always-snow</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2772902437566560455975377226059/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2787316768192898454648620501323/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2787316935541760691341672761675/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2787327908753493634131837503819/image.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/john-cassavetes</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
            <url>
                        <loc>https://tenementpress.com/36-exposures</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2781077258098123722742851357003/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2787280871400780082146171865419/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2787281398184450595069837363531/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2787283061103088607764786891083/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2787289836795101066093900515659/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/magnolia-or-redbud</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2772881298280381515556478699851/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2787300805155340317498453182795/image.jpeg</image:loc>
                                            <image:caption>Laura Lee Burroughs (St. Louis, 1918), from the William S. Burroughs papers; the Henry W. &amp;#x26; Albert A. Berg Collection of English &amp;#x26; American Literature, the New York Public Library, &lt;span class=&quot;small-caps&quot;&gt;NY&lt;/span&gt;.) </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2787302350162390211041948780875/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2787302930294044585133637552459/image.jpeg</image:loc>
                                            <image:caption>Lucy Sante, © 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2787303410831727705267457149259/image.jpeg</image:loc>
                                            <image:caption>Lucy Sante, © 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2787305100258336951883032349003/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/collaborations</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
            <url>
                        <loc>https://tenementpress.com/seven-rooms</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2772858356083223787060843432267/SevenRooms_CoverUpdate_01.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2787237880802547700193391987019/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: left;&quot;&gt;&lt;b&gt;&lt;/b&gt;Adrien Bridget, ‘Study for Treatment’ (2019).&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2787241334881588526012093876555/image.jpeg</image:loc>
                                            <image:caption>Stephen Shore, ‘Room 219, &lt;span class=&quot;small-caps&quot;&gt;Holiday Inn&lt;/span&gt;, Winter Haven, &lt;span class=&quot;small-caps&quot;&gt;FL&lt;/span&gt; (November 16, 1977).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2787272373170252764892837890379/Baum.jpeg</image:loc>
                                            <image:caption>Erica Baum, (from the &lt;span class=&quot;small-caps&quot;&gt;Naked &lt;br /&gt;
Eye&lt;/span&gt; series), 2010 / 12.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2791747486505321155286302640459/X.jpeg</image:loc>
                                            <image:caption>Lucy Sante, © 2022.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/rehearsal</loc>
            
            
            <lastmod>2026-03-22T01:23:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
            <url>
                        <loc>https://tenementpress.com/rehearsal-cache</loc>
            
            
            <lastmod>2026-04-02T09:55:28+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2772846692705008070501514529099/image.jpeg</image:loc>
                                            <image:caption>Tenement Press, 2022.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2772874220891869731707648395595/image.jpeg</image:loc>
                                            <image:caption>Tenement Press, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2772887785944932006984653392203/image.jpeg</image:loc>
                                            <image:caption>Tenement Press, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2772894174089298220749797116235/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2772935783672035524436995262795/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2780515741237661852099710994763/PIN-DL-10YEARS.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2780880853049873510901168130379/image.jpeg</image:loc>
                                            <image:caption>Lucy Sante, photographed by Jem Cohen, © 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2781057203572730036814135609675/image.jpeg</image:loc>
                                            <image:caption>Tenement / NoUP, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2792053561394692802186187032907/image.jpeg</image:loc>
                                            <image:caption>Tenement / Prototype, 2023.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2807725626800213077011429771595/image.jpeg</image:loc>
                                            <image:caption>Paul Dowling, a portrait held in the City of London Asylum casebook, The London Archives (Reference Number: &lt;span class=&quot;small-caps&quot;&gt;CLA/ 001/B/01/015&lt;/span&gt;).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2807737924082342142525790406987/image.jpeg</image:loc>
                                            <image:caption>Herbert W. Gleason, &lt;i&gt;Thoreau’s Cape Cod&lt;/i&gt; &lt;br /&gt;
(Barre Publishers, Boston, &lt;span class=&quot;small-caps&quot;&gt;MA&lt;/span&gt;, 1973).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2807740961449434343245721291083/image.jpeg</image:loc>
                                            <image:caption>Selma Asotić, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2807742103634933899193738250571/image.jpeg</image:loc>
                                            <image:caption>Phoebe Giannisi, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2807743367384476900887700359499/image.jpeg</image:loc>
                                            <image:caption>Eleanor Antin, ‘100 Boots’ (1971-1973).&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2807747053837152823225623955787/image.jpeg</image:loc>
                                            <image:caption>Fatema Abdoolcarim, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2807748519301842270933532985675/image.jpeg</image:loc>
                                            <image:caption>Andre Kovács (Budapest, 1971), from &lt;i&gt;Fényképek a magyar színházi underground történetéböl&lt;/i&gt; / &lt;i&gt;Photos of the History of the Hungarian Underground Theatre&lt;/i&gt; (Kassák House Studio, Squat Theatre, New York, &lt;span class=&quot;small-caps&quot;&gt;NY&lt;/span&gt;).&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2807750830199259360823902128459/image.jpeg</image:loc>
                                            <image:caption>Cesare Pavese, &lt;i&gt;circa &lt;/i&gt;1940.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2807752586200167969457249110347/image.jpeg</image:loc>
                                            <image:caption>Holloway Motel, &lt;span class=&quot;small-caps&quot;&gt;1518&lt;/span&gt; North La Brea &lt;br /&gt;Los Angeles, &lt;span class=&quot;small-caps&quot;&gt;CA&lt;/span&gt;, &lt;span class=&quot;small-caps&quot;&gt;90028&lt;/span&gt; (&lt;i&gt;circa &lt;/i&gt;1960) </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2807790305253899663357754132811/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2807793076932536970439013091659/image.jpeg</image:loc>
                                            <image:caption>Alix Chauvet, Two Flowers / &lt;i&gt;Cyclamen&lt;/i&gt;, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2807793310283849502864841034059/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2807940067303931130976566167883/image.jpeg</image:loc>
                                            <image:caption>Luigi Pirandello, photographed during a visit to Finland, 1933 (Suomi, Helsinki).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2807959115467201875680693504331/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2807962325145330468921546033483/image.png</image:loc>
                                            <image:caption>Lind, photographed by Lærke Posselt, © 2019.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2807998530975752308280112892235/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2808035153997738118653899098443/image.jpeg</image:loc>
                                            <image:caption>Brinsley, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2808037125511957740435937610059/image.jpeg</image:loc>
                                            <image:caption>A still from&lt;i&gt; Slow Action&lt;/i&gt; (Ben Rivers, 2010) </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2808049486619821300985346836811/image.jpeg</image:loc>
                                            <image:caption>Chacon, as photographed by &lt;br /&gt;
Adam Conte, © 2022. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2808049622166496754603132111179/image.jpeg</image:loc>
                                            <image:caption>Nardone, as photographed by Joshua Clover, © 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2809075274953606316881435871563/image.jpeg</image:loc>
                                            <image:caption>Leonor Fini, ‘Autoportrait au scorpion,’ &lt;i&gt;detail &lt;/i&gt;(1938).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2809081134045352496656639248715/image.jpeg</image:loc>
                                            <image:caption>Lina Scheynius, © 2025. </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2809088069781316538489822693707/image.jpeg</image:loc>
                                            <image:caption>Gaza, the Great Mosque &lt;br /&gt;
(&lt;i&gt;circa&lt;/i&gt; 1917), the Library of Congress.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2809109840296630937175867967819/image.jpeg</image:loc>
                                            <image:caption>A postcard, ocean view.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2809117146350982258728300104011/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2809126013258136633140732676427/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2809126174371999372919956490571/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2809198550006351875682335902027/image.jpeg</image:loc>
                                            <image:caption>Michael Snow, &lt;i&gt;Wavelength&lt;/i&gt; (1967), &lt;br /&gt;16mm, 45m., colour, sound. &lt;br /&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2809206578859476237396129007947/image.jpeg</image:loc>
                                            <image:caption>McCabe, &lt;i&gt;circa&lt;/i&gt; 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2809282374759987678867602196811/image.jpeg</image:loc>
                                            <image:caption>Zsuzsanna Gahse, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2809392181697311069735190972747/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2809409923480613258402582415691/image.jpeg</image:loc>
                                            <image:caption>Paul Duane, &lt;i&gt;Best Before Death: &lt;br /&gt;A Film About Bill Drummond&lt;/i&gt;, 93m&lt;i&gt; &lt;/i&gt;(2019).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2809428614736279664974305085771/image.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Homeward Bound: An Incredible Journey&lt;br /&gt;
&lt;/i&gt;(Duwayne Dunham, 1993)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2809437011712628761635910240587/image.jpeg</image:loc>
                                            <image:caption>Nell Osborne, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2809453793730283539269040654667/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2809477303607543392102417353035/image.jpeg</image:loc>
                                            <image:caption>The Limbourg Brothers, the ‘Anatomical, Zodiac Man,’ as excerpted from the &lt;i&gt;Très Riches Heures&lt;/i&gt; (1412 / 1416).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2809489218045945951848743749963/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2809497796187768596411855325515/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2809519609167487852777288419659/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2831888114890366990570992355659/pl-broadcast-notes-flyer.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2832178007115245558734787889483/image.jpeg</image:loc>
                                            <image:caption>Maria Sledmere, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2832204791658513376487767460171/image.jpeg</image:loc>
                                            <image:caption>Cut out, care of Attlee.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2832232584094983893583228225867/image.jpeg</image:loc>
                                            <image:caption>Jeffrey Vallance, 2011.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2841394146644917634870338046283/image.jpeg</image:loc>
                                            <image:caption>Lana Del Ray, elsewhere.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2841410771035144302655349901643/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2841438946610489230698197731659/image.jpeg</image:loc>
                                            <image:caption>Bookworks / 2013 / 2021.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2841460422752661701127218317643/image.jpeg</image:loc>
                                            <image:caption>Bojan Louis, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2841512704016653318748250491211/image.jpeg</image:loc>
                                            <image:caption>F. Van Dixhoorn, 2022.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2841519653772142856600693164363/image.png</image:loc>
                                            <image:caption>Broken Sleep, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2841834062107277010306486946123/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2841836869738618517047662004555/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2841849300648961652514014546251/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2849499849993448323004339767627/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2849512588392568423135208196427/image.png</image:loc>
                                            <image:caption>Wayne Koestenbaum, ‘He Eats Hearts,’ 2020.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2849615226002807566785561413963/image.jpeg</image:loc>
                                            <image:caption>(From Grubbs’ archive.)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2849635830628556274806815902027/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2849643609436064717387636853067/image.jpeg</image:loc>
                                            <image:caption>See &lt;i&gt;Year by Year&lt;/i&gt; (Tender Buttons, 2019.)  </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2849660908442168904804660857163/image.jpeg</image:loc>
                                            <image:caption>Issy Oakes, © 2021.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2849672855180820337616412133707/image.jpeg</image:loc>
                                            <image:caption>Derek Jarman, ‘Landscape,’ &lt;i&gt;Detail&lt;/i&gt; (1991). </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2850553363838916356577636305227/UKSPF.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2850638111095776541903869364555/image.jpeg</image:loc>
                                            <image:caption>Justin Hamel, ‘A Pelham Landscape,’ a &lt;span class=&quot;small-caps&quot;&gt;USPO&lt;/span&gt; Mural &lt;i&gt;circa&lt;/i&gt; 1930 (Pelham, &lt;span class=&quot;small-caps&quot;&gt;GA&lt;/span&gt;). </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2850641492088817347685327751499/image.jpeg</image:loc>
                                            <image:caption>Seaweed, photographed &lt;br /&gt;
by Georgia May Jaeckle.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2850643533091921895131247200587/1F1B41C7-6D12-4420-9E33-6C3C88B59459.jpeg</image:loc>
                                            <image:caption>(&lt;span class=&quot;small-caps&quot;&gt;1&lt;/span&gt;.)    Decorations adorning a front door, ℅ Saint Amaro, or Amarus the Pilgrim, whose ex-voto offerings call for stolen pinecones, stolen nuts, stolen figs.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2850644329696117974204524185931/0BD9B852-CB55-412E-A26C-FB41E7B950A5.jpeg</image:loc>
                                            <image:caption>(&lt;span class=&quot;small-caps&quot;&gt;2&lt;/span&gt;.)    ℅ Saint Amaro, or Amarus the Pilgrim.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2850650912379847189310599252299/51Tr3wJztwL.jpg</image:loc>
                                            <image:caption>Fitzcarraldo Editions, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2850652931191518616083928107339/c22185262b51caad777ca6682af3a07906687386-4000x4000.jpg</image:loc>
                                            <image:caption>Monitor Books, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2850654878208462107979682072907/utf-8--Screenshot-2025-03-06-at-2.37.17u202fPM.jpeg</image:loc>
                                            <image:caption>R. Martz (1984)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2850657821995221622771057609035/say-fire-cover-600x873.jpg</image:loc>
                                            <image:caption>Archipelago Books, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2850659913763765861065663105355/AP_TheLeucotheaDialogues_Cover_FINAL_Nov26-1-600x730.jpg</image:loc>
                                            <image:caption>Archipelago Books, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2850661477531154477571772696907/8cb37aeb59fc0879f03b11d033d1b5694a572e98-1500x1500.jpg</image:loc>
                                            <image:caption>Monitor Books, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2850670142557141709306872383819/AP_Pirandello_Cover_Nov2-600x722.jpeg</image:loc>
                                            <image:caption>Archipelago Books, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2850672634822946531909553015115/Lind-tr.-Hazel-Evans_front-cover-scan.jpeg</image:loc>
                                            <image:caption>Prototype, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2850675701557255297975090071883/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2850679724589223589217492453707/91-ud955ISL.jpg</image:loc>
                                            <image:caption>Chatto &amp;#x26; Windus, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2850681857881388737432298637643/br_urthworks_cover-copy.jpg.jpeg</image:loc>
                                            <image:caption>Mack, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2850683137661152339179861100875/Diary-of-an-Ending_Lina-Scheynius-with-Saskia-Vogel_front-cover-scan-web.jpeg</image:loc>
                                            <image:caption>Prototype, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2850688713263335594186675243339/1748571640-900.jpg</image:loc>
                                            <image:caption>Bricks from the Kiln, 2025.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2850697309925689288754176641355/Mountainish_Zsuzsanna-Gahse_trans.-Katy-Derbyshire_front.jpeg</image:loc>
                                            <image:caption>Prototype, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2850699861903604677954675853643/9781399624947-original_a9761580-e1bf-46d1-91ae-5158d564997a.jpg.jpeg</image:loc>
                                            <image:caption>White Rabbit, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2850703589418732908370061347147/6bc861f6bc183b29259b04db126af7fab965c8e2-4024x4024.jpg</image:loc>
                                            <image:caption>Monitor Books, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2850767599251733799039977834827/imag1290.jpg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2850770563311465050838150596939/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2850773754616636546664289716555/Guy_Debord_Michele_Bernstein_Asger_Jorn_1960-1024x773.jpg</image:loc>
                                            <image:caption>Guy Debord, Michèle Bernstein &amp;#x26; Asger Jorn, 1960.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2850776967873433490204795259211/81DvlMK269L._SL1500_.jpg</image:loc>
                                            <image:caption>Dead Ink, 2024.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2850783084389493218596791437643/26MORANTE-REVIEW-1-superJumbo.jpg.jpeg</image:loc>
                                            <image:caption>Elsa Morante, 1943.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2850806197329714093348036462923/image.jpeg</image:loc>
                                            <image:caption>From Seita’s performance work, ‘Fingers are for Feeling,’ 2022.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2850806331732691414395829537099/image.jpeg</image:loc>
                                            <image:caption>Snelson, as photographed by David Esquivel / &lt;span class=&quot;small-caps&quot;&gt;UCLA&lt;/span&gt;, © 2023.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2850813640461820626636146657611/xl_evento_casaseat_Cafes_Literarios.jpg</image:loc>
                                            <image:caption>Jorge Carrión, 2021.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2850821706743388713906619992395/hawks-and-sparrows-01.jpg</image:loc>
                                            <image:caption>Pier Paolo Pasolini, &lt;i&gt;Uccellacci e Uccellini&lt;/i&gt; / &lt;i&gt;Hawks &amp;#x26; Sparrows &lt;/i&gt;(1966).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2850828551204863079024942041419/9781913513320.jpg</image:loc>
                                            <image:caption>Prototype / &lt;br /&gt;
House Sparrow, 2022.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2850833996407012476978935810379/Mekas_Jonas_Reminiscences2.jpg-1440.jpeg</image:loc>
                                            <image:caption>Jonas Mekas, frame sequence from &lt;i&gt;Reminiscences of a Journey to Lithuania&lt;/i&gt; (1972).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2859952372454291773517827590475/Louis_Edouard_Fournier_-_The_Funeral_of_Shelley_-_Google_Art_Project.jpg</image:loc>
                                            <image:caption>Louis Édouard Fournier, &amp;#x27;The Death of Shelley&amp;#x27; (1889).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2859952507133970255671263938891/Death-Mask-Print-scaled.jpg</image:loc>
                                            <image:caption>The last bust cast from Dylan&amp;#x27;s death mask, &lt;br /&gt;
presented to the Dylan Thomas Centre (Swansea) &lt;br /&gt;
by artist David Slivka.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2869482616187628460109794036043/KAZU20230426_10020932-copy.jpeg</image:loc>
                                            <image:caption>Kazuhide Yamazaki, ‘Untitled’ (Manhattan, 1978).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2869484180526866142900899727691/57.10_Kline_F_cropped.jpg</image:loc>
                                            <image:caption>Franz Kline, ‘Mahoning’ (1956), &lt;br /&gt;
The Whitney Museum of American Art. </image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/rehearsal-works</loc>
            
            
            <lastmod>2026-03-26T13:31:18+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
        </url>
            <url>
                        <loc>https://tenementpress.com/a-religion-of-leftovers</loc>
            
            
            <lastmod>2026-03-27T10:44:56+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2853610032423524185465920080203/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2853628586343180963270030969163/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2853628828198442513675962206539/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2853880366986060693067772643659/Louis_Edouard_Fournier_-_The_Funeral_of_Shelley_-_Google_Art_Project.jpg</image:loc>
                                            <image:caption>Louis Édouard Fournier, &amp;#x27;The Death of Shelley&amp;#x27; (1889).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2853884961442820155610955434315/Death-Mask-Print-scaled.jpg</image:loc>
                                            <image:caption>The last bust cast from Dylan&amp;#x27;s death mask, &lt;br /&gt;
presented to the Dylan Thomas Centre (Swansea) &lt;br /&gt;
by artist David Slivka.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2853887046367622342559317281099/White_Horse_Tavern_NYWTS.jpg</image:loc>
                                            <image:caption>The White Horse Tavern, &lt;i&gt;circa&lt;/i&gt; 1961.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/ginny-darke</loc>
            
            
            <lastmod>2026-03-25T09:49:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2791900222594772418580154861899/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/selma-asotić</loc>
            
            
            <lastmod>2026-03-25T09:49:21+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2791902305951601359263204821323/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/maria-josep-escrivá</loc>
            
            
            <lastmod>2026-03-25T09:49:21+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2791910017557621141320129235275/image.jpeg</image:loc>
                                            <image:caption>Eleanor Antin, ‘100 Boots’ (1971-1973) /&lt;br /&gt;Eleanor Antin, © 2026.&lt;b&gt;&lt;br /&gt;&lt;/b&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/phoebe-giannisi</loc>
            
            
            <lastmod>2026-03-25T09:49:21+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2791926219664982473746085497163/image.jpeg</image:loc>
                                            <image:caption>Eleanor Antin, ‘100 Boots’ (1971-1973) /&lt;br /&gt;Eleanor Antin, © 2026.&lt;b&gt;&lt;br /&gt;&lt;/b&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/fatema-abdoolcarim</loc>
            
            
            <lastmod>2026-03-25T09:50:26+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2791962637356259999658852665675/image.jpeg</image:loc>
                                            <image:caption>&lt;b&gt;&lt;br /&gt;&lt;/b&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/foreign-tongue-exercises</loc>
            
            
            <lastmod>2026-03-25T09:49:21+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2795012425268434846736964569419/image.jpeg</image:loc>
                                            <image:caption>A still from &lt;span class=&quot;small-caps&quot;&gt;EAST HAMLET&lt;/span&gt; (1984).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2795012627924365240510098622795/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2795014666806094219479419636043/&#039;East Hamlet&#039; (Seth Tillett, 1984)</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2795022242164462273117595814219/image.jpeg</image:loc>
                                            <image:caption>Andre Kovács (Budapest, 1971),&lt;br /&gt;from &lt;i&gt;Fényképek a magyar színházi &lt;br /&gt;underground történetéböl&lt;/i&gt; / &lt;i&gt;Photos &lt;br /&gt;
of the History of the Hungarian &lt;br /&gt;
Underground Theatre&lt;/i&gt; (Kassák &lt;br /&gt;
House Studio, Squat Theatre,&lt;br /&gt;
New York, &lt;span class=&quot;small-caps&quot;&gt;NY&lt;/span&gt;).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2795033859757859198729817606475/image.jpeg</image:loc>
                                            <image:caption>&lt;a href=&quot;https://monitorbooks.co.uk/books/coal/&quot; target=&quot;_blank&quot;&gt;   &lt;/a&gt;&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2795034154407702288092485568843/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2795037464749713291566361266507/image.jpeg</image:loc>
                                            <image:caption>&lt;a href=&quot;https://monitorbooks.co.uk/books/coal/&quot; target=&quot;_blank&quot;&gt;Salvator Rosa, ‘The Death of &lt;br /&gt;Empedocles’ (&lt;i&gt;circa&lt;/i&gt; 1665 / 1670), study &lt;br /&gt;(The National Gallery of Victoria, Australia).&lt;/a&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/cesare-pavese</loc>
            
            
            <lastmod>2026-03-25T09:51:33+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2795045198325805265411361655115/image.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Endymion&lt;/i&gt; (&lt;i&gt;resting&lt;/i&gt;, British Museum).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2795045751857254685213876996427/image.jpeg</image:loc>
                                            <image:caption>Pavese, &lt;i&gt;circa&lt;/i&gt; 1940-&lt;i&gt;&amp;#x26; something&lt;/i&gt;.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2799295345666348072054052538699/herakles-theseus-parthenon-marble-pediment-british-museum-sculpture-postcard-99084-p.jpg</image:loc>
                                            <image:caption>&lt;br /&gt;
&lt;br /&gt;
&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt; &lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/remi-graves</loc>
            
            
            <lastmod>2026-03-25T09:52:30+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2807711625278739273692723988811/image.jpeg</image:loc>
                                            <image:caption>Paul Dowling, a portrait held in the City of London Asylum&lt;br /&gt;patient casebook, The London Archives (Reference&lt;br /&gt;Number: &lt;span class=&quot;small-caps&quot;&gt;CLA/ 001/B/01/015&lt;/span&gt;).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2807713726621143686242586773835/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2807714618742580578983922026827/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/dusty-jade</loc>
            
            
            <lastmod>2026-03-25T09:49:21+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2807757102239818374661127981387/image.jpeg</image:loc>
                                            <image:caption>Holloway Motel                   &lt;br /&gt;
&lt;span class=&quot;small-caps&quot;&gt;1518&lt;/span&gt; North La Brea &lt;br /&gt;Los Angeles, &lt;span class=&quot;small-caps&quot;&gt;CA&lt;/span&gt;                   &lt;br /&gt;
&lt;span class=&quot;small-caps&quot;&gt;90028&lt;/span&gt; (&lt;i&gt;circa &lt;/i&gt;1960) </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2807757403678063283148910938443/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;blockquote&gt;‘&lt;span class=&quot;small-caps&quot;&gt;California as an Island&lt;/span&gt;’ ... Throughout most of the seventeenth century, California was believed to be an island. The shown manuscript map of the Baja Peninsula—now the state of California—was drawn by Johannes Vingsboons for the Dutch West India Company in approximately 1639. (Geography &amp;#x26; Maps Division / The Library of Congress, Washington &lt;span class=&quot;small-caps&quot;&gt;DC&lt;/span&gt;, &lt;span class=&quot;small-caps&quot;&gt;USA&lt;/span&gt;.) &lt;/blockquote&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/the-machine-starts</loc>
            
            
            <lastmod>2026-03-25T09:49:21+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2807845573691392857135027243339/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2807850965748472578731802806603/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2807851122748711390073796610379/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2807852496422402327002976799051/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2807852725457176746180769663307/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/the-machine-stops</loc>
            
            
            <lastmod>2026-03-25T09:49:21+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2807852725457176746180769663307/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2807886554885793289906349590859/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2807887878845508948188288174411/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2807889127892996923135737645387/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2807890658474692951038363879755/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2807893382634517524243817875787/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/e-m-forster,-&#039;the-machine-stops&#039;</loc>
            
            
            <lastmod>2026-03-25T09:49:21+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2807861308063111456581592729931/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/alix-chauvet-three-flowers</loc>
            
            
            <lastmod>2026-03-25T09:54:11+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2807896274050970613773776374091/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2807899830749248721638713903435/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2807899940175334566883774089547/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2807900081126906034098457987403/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/pirandello</loc>
            
            
            <lastmod>2026-03-25T09:55:04+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2807906296738874926458165446987/image.jpeg</image:loc>
                                            <image:caption>Luigi Pirandello, photographed during a visit &lt;br /&gt;to Finland, 1933 (Suomi, Helsinki).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2807922518049296839615764941131/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;blockquote&gt;‘A maggot in an arable field,’ annotated etching, &lt;i&gt;&lt;br /&gt;
date unknown&lt;/i&gt;, the Wellcome Collection.&lt;/blockquote&gt;&lt;/div&gt;&lt;/div&gt;&lt;br /&gt;
&lt;br /&gt;
</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2807924497126681531618719615307/default-1.jpg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;blockquote&gt;‘Two maggots,’ etching, &lt;i&gt;date unknown&lt;/i&gt;, &lt;br /&gt;
the Wellcome Collection.&lt;/blockquote&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2807926410847251970468732913995/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;blockquote&gt;‘A horse fly (&lt;i&gt;Tabanus dorsivitta&lt;/i&gt;),’ a pen and ink &lt;br /&gt;
drawing by A.J.E. Terzi, &lt;i&gt;circa&lt;/i&gt; 1919, the Wellcome Collection.&lt;/blockquote&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2807927703705757120476367472971/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;blockquote&gt;&lt;blockquote&gt;‘The older larva of the fly (&lt;i&gt;Dermatobia cyaniventris&lt;/i&gt;),’&lt;br /&gt;coloured drawing by A.J.E. Terzi, &lt;i&gt;circa&lt;/i&gt; 1919, &lt;br /&gt;
the Wellcome Collection.&lt;/blockquote&gt;&lt;/blockquote&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/ott-torony-volt</loc>
            
            
            <lastmod>2026-03-25T09:57:31+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2807945388507066865454953974091/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/cecile-lind</loc>
            
            
            <lastmod>2026-03-26T13:31:35+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2807980090983186929706192783691/image.png</image:loc>
                                            <image:caption>Cecilie Lind, photographed &lt;br /&gt;
by Lærke Posselt, © 2019.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/4-of-xx</loc>
            
            
            <lastmod>2026-04-02T09:50:28+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2858583049612412069472483068235/KAZU20230426_10020932-copy.jpeg</image:loc>
                                            <image:caption>Kazuhide Yamazaki, ‘Untitled (Manhattan, 1978).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2858592085270381230179893823819/ONLY-ANGELS-HAVE-WINGS-US-008.jpg.jpeg</image:loc>
                                            <image:caption>Cary Grant [&lt;i&gt;Left&lt;/i&gt;.] and Jean Arthur [&lt;i&gt;Right&lt;/i&gt;.],&lt;br /&gt;
&lt;i&gt;Only Angels Have Wings&lt;/i&gt; (Howard Hawks, 1939).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2858594728153851414621063399755/57.10_Kline_F_cropped.jpg</image:loc>
                                            <image:caption>Franz Kline, ‘Mahoning’ (1956), &lt;br /&gt;
The Whitney Museum of American Art. </image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/3-of-xx</loc>
            
            
            <lastmod>2026-03-26T13:31:19+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2807991880610919086733692946763/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/2-of-xx</loc>
            
            
            <lastmod>2026-03-26T13:31:19+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2809198550006351875682335902027/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Michael Snow, &lt;i&gt;Wavelength&lt;/i&gt; (1967), &lt;br /&gt;16mm, 45m., colour, sound. &lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2809202430813923358624095324491/image.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/1-of-xx</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2809392181697311069735190972747/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Buster Keaton &amp;#x26; Clyde Bruckman, &lt;br /&gt;&lt;i&gt;The General&lt;/i&gt;, &lt;i&gt;&lt;/i&gt;79m (1926). &lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/helen-of-troy</loc>
            
            
            <lastmod>2026-03-26T13:31:19+00:00</lastmod>
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            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2808005695451342864111736375627/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2808005894048989561668769073483/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2808009548016949170204172273995/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2808010326654016521484345985355/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2808011119587310529889422199115/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2808011887525266318418055973195/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2808012974315193421016289429835/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2808013565109065869712099035467/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2856713173226394124174046185803/Screenshot-2025-06-13-at-12.04.12PM.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/urthworks</loc>
            
            
            <lastmod>2026-03-26T13:31:19+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2808040188686044900275531204939/image.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Urth&lt;/i&gt; (Rivers, 2019).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2808042178001372553187287025995/image.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Look Then Below&lt;/i&gt; (Rivers, 2019).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2808042695118949171487147477323/image.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;Look Then Below&lt;/i&gt; (Rivers, 2019).</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/convivialities</loc>
            
            
            <lastmod>2026-03-26T13:31:19+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2808049486619821300985346836811/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Chacon, photographed &lt;br /&gt;
by Adam Conte, © 2022. &lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2808049622166496754603132111179/image.jpeg</image:loc>
                                            <image:caption>Nardone, photographed &lt;br /&gt;
by Joshua Clover, © 2022.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2809059232484368198337939294539/image.jpeg</image:loc>
                                            <image:caption>Raven Chacon, from &lt;i&gt;While Hissing&lt;/i&gt;, © 2023.     &lt;br /&gt;Museum of Contemporary Art Tuscon.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2809065206314862516586553723211/image.jpeg</image:loc>
                                            <image:caption>Raven Chacon, ‘American Ledger #1’, © 2018.     &lt;br /&gt;
the Wattis Institute (San Francisco, &lt;span class=&quot;small-caps&quot;&gt;CA&lt;/span&gt;.).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2809066359051899682696434207051/image.jpeg</image:loc>
                                            <image:caption>Raven Chacon, ‘Silent Choir (Standing Rock),’ © 2022.&lt;br /&gt;Whitney Museum of American Art.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/southernmost</loc>
            
            
            <lastmod>2026-03-26T13:31:19+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2809075274953606316881435871563/image.jpeg</image:loc>
                                            <image:caption>Leonor Fini, ‘Autoportrait au scorpion,’ &lt;i&gt;detail &lt;/i&gt;(1938).</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/diary-of-an-ending</loc>
            
            
            <lastmod>2026-03-26T13:31:19+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2809081134045352496656639248715/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Lina Scheynius, © 2025. &lt;br /&gt;
&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2809084063867926747649884211531/image.jpeg</image:loc>
                                            <image:caption>Lina Scheynius, © 2025. </image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/three-sea-shells</loc>
            
            
            <lastmod>2026-03-26T13:31:19+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2809093882903776486580823443787/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Gaza, the Great Mosque (&lt;i&gt;circa&lt;/i&gt; 1917), &lt;br /&gt;
the Library of Congress.&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/au-commencement-sera-le-sommeil</loc>
            
            
            <lastmod>2026-03-26T13:31:19+00:00</lastmod>
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                    <image:loc>https://freight.cargo.site/t/original/i/H2809109840296630937175867967819/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/voices-of-resistance</loc>
            
            
            <lastmod>2026-03-26T13:31:19+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2809117146350982258728300104011/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt; &lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/kinkadeedaknik</loc>
            
            
            <lastmod>2026-03-26T13:31:19+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2809126013258136633140732676427/image.jpeg</image:loc>
                                            <image:caption>Kinkade’s alter-ego, Ed Aknik.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2809126174371999372919956490571/image.png</image:loc>
                                            <image:caption>A generative Thomas Kinkade.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2809127772690139639484056258891/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Thomas Kinkade, as seen in the documentary &lt;br /&gt;&lt;i&gt;Art for Everybody&lt;/i&gt; (Cozy Cottage Films, 2025).&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/a-biography</loc>
            
            
            <lastmod>2026-03-26T13:31:19+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2809276892904157806452729366859/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Chris McCabe, 2024, the opening collage as begins &lt;br /&gt;&lt;i&gt;
Dreamt by Ghosts&lt;/i&gt;, McCabe’s facsimile of ‘Dreams, &lt;br /&gt;
Coincidence &amp;#x26; Weird Culture,’ the fourteenth title in &lt;br /&gt;Tenement’s ‘Yellowjacket’ series.&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/mountainish</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2809283147604777391002976700747/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;A still from Huw Wahl’s 2020 &lt;br /&gt;documentary portrait of the poet Stephen &lt;br /&gt;Watts, &lt;i&gt;The Republics&lt;/i&gt;.&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2809348230060605935662191003979/image.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/saint-bill</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2809409923480613258402582415691/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Paul Duane, &lt;i&gt;Best Before Death: &lt;br /&gt;A Film About Bill Drummond&lt;/i&gt;, 93m&lt;i&gt; &lt;/i&gt;(2019).&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2809416726695167874706347051339/image.jpeg</image:loc>
                                            <image:caption>Paul Duane, &lt;i&gt;Best Before Death: &lt;br /&gt;A Film About Bill Drummond&lt;/i&gt;, 93m&lt;i&gt; &lt;/i&gt;(2019).</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/the-mothers</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2809428614736279664974305085771/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;Homeward Bound: An Incredible Journey &lt;/i&gt;&lt;br /&gt;(Duwayne Dunham, 1993)&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/nell-osborne</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2809437011712628761635910240587/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Nell Osborne, &lt;i&gt;circa&lt;/i&gt; 2025.&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/to-the-dead</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2809453793730283539269040654667/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Haytham el Wardany, &lt;i&gt;circa&lt;/i&gt; 2024.&lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/a-great-shaking-reading-log</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2784456769607125968292309813579/a5f4214f74981d1e428a7e619a8c0cd8.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2809477303607543392102417353035/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt; &lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/wadih-saadeh-three-poems</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2809494145835370826323524241739/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt; &lt;br /&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/monique-todd</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2809497796187768596411855325515/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Monique Wittig, &lt;i&gt;circa&lt;/i&gt; 1966.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2809507241879965027535179401547/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2809507442193158923947200399691/image.jpeg</image:loc>
                                            <image:caption>Stills drawn from Lygia Clark’s work, &lt;br /&gt;&lt;i&gt;O eu e o tu / The I and the You &lt;/i&gt;(1967).</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/plastic-language</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2831793029838320225453809518923/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2831793433360846837850251118923/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Klara du Plessis, photographed &lt;br /&gt;by Francis Leduc, © 2024.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2831799998409488718489994840395/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Dr clave, &lt;span class=&quot;small-caps&quot;&gt;CC BY-SA 3.0&lt;/span&gt;, ℅ Wikimedia Commons.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2831800969944158848550949800267/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;See Mary Ellen Mark, &lt;i&gt;Ward 81 &lt;br /&gt;
&lt;/i&gt;(New York, &lt;span class=&quot;small-caps&quot;&gt;NY&lt;/span&gt;: Simon &amp;#x26; Schuster, 1971).&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2831803196964230635283987745099/image.png</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2831807245139111098992508979531/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2831807483378810810951368100171/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2831810242034046801993683618123/Taylor Beidler &amp; Aliayta Foon-Dancoes, &#039;Shadows are Just Shapes&#039;</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2831817396511502069874730125643/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2831821216647732294385774283083/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2831821420189106403696966814027/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2831824435438552460039145310539/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;A frontis to the ‘Kalendarium’ / ‘Calendar,’ &lt;i&gt;Regiomontanus&lt;/i&gt; (1476).&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2831830605339489537746583865675/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2831831303843900632832465357131/Middex, &#039;Lived I&#039; (2024)</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2831834228907214912808646003019/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2831834431507805074360651401547/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2831840389105164607744860408139/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2831843953071459880651361274187/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;‘Column as invasive species,’ unfired porcelain (2024).&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2831844079357869809266951637323/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;Plaster moulds of dried giant hogweed stems, used to make porcelain columns and the sound of fluting (2024).&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2831868551380407058643121523019/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;A parrot on Canal Street, &lt;br /&gt;Shanzhai Lyric © 2024.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2831874539728488962901153073483/image.jpeg</image:loc>
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                <image:image>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2831875225025031301210995607883/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2831888474786343868644344383819/pl-broadcast-notes-flyer.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/duncan-white</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2831889761483636498032988703051/image.jpeg</image:loc>
                                            <image:caption>&lt;div style=&quot;text-align: center;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;div style=&quot;text-align: left;&quot;&gt;&lt;i&gt;Kali-Filme /&lt;/i&gt;&lt;i&gt; Kali Film&lt;/i&gt;, 35 min, Colour, 16mm;Birgit &amp;#x26; Wilhelm Hein.&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/midwinter-letter</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2832180821848583533854140320075/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2832196115343118771642422184267/Maria Sledmere, &#039;Midwinter Letter&#039; (Midsummer Song)</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/(i-let-the-year-slip-through-my-hands-)</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2832199668093793647733515667787/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2832200758462389100631402137931/image.jpeg</image:loc>
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        </url>
            <url>
                        <loc>https://tenementpress.com/our-private-eye</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2832208260052227603505081403723/image.jpeg</image:loc>
                                            <image:caption>Auman, &lt;i&gt;Table notes&lt;/i&gt;.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2832208950274050609495374219595/image.jpeg</image:loc>
                                            <image:caption>&lt;i&gt;The Kinkade Chapel&lt;/i&gt; (2004), installation view &lt;br /&gt;
[&lt;i&gt;Thomas&lt;/i&gt;&lt;i&gt; Kinkade: Heaven on Earth&lt;/i&gt;].</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2832224335319776685104160753995/image.jpeg</image:loc>
                                            <image:caption>Jeffrey Vallance, ‘Mike Kelley : Artist and Friend,’ © 2011. Collection of the Hammer Museum, courtesy of Jeffrey Vallance and Tanya Bonakdar.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2832227188938851167603247991115/Jeffrey Vallance (Late Night with David Letterman, NBC 1983)</image:loc>
                                            <image:caption>Vallance on &lt;span class=&quot;small-caps&quot;&gt;NBC&lt;/span&gt;&amp;#x27;s &lt;i&gt;Late Night with David Letterman&lt;/i&gt;, 1983.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2832227644665663508597720664395/image.jpeg</image:loc>
                                            <image:caption>Jeffrey Vallance, ‘Nixon’s Ghost: Creepy &lt;br /&gt;
Poltergeist Activity‘ (2009).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2832228596646784920526550911307/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/M2841370000225860030541463734603/91-EzSB9oVL.jpg</image:loc>
                                            <image:caption>(&lt;a class=&quot;small-caps&quot; href=&quot;https://www.amazon.co.uk/Vallance-Bible-Jeffrey/dp/0981798772&quot; target=&quot;_blank&quot;&gt;See here&lt;/a&gt;.)</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2841386676248523360639510563147/Guadalupe-Eyes-copy.png</image:loc>
                                            <image:caption>Jeffrey Vallance, ‘Eyes of the Guadalupe’ (1988).</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/maria-sledmere</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2841394146644917634870338046283/image.jpeg</image:loc>
                                            <image:caption>Lana Del Rey, elsewhere.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/jorge-yglesias</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/O2841397734057024625461679016267/image.jpeg</image:loc>
                                            <image:caption>Jorge Yglesias, 2019.</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/slof-fletcher</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2841410771035144302655349901643/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2841412848894843509372953479499/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2841413267027191428147359959371/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2841413474626849233674653845835/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2841413658448653928190335699275/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2841413875529938187604339116363/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2841414504490124124805211015499/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2841414669883631489685050804555/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2841414989344345358187065690443/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2841415183293412549169291381067/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/W2841415388107611999566442973515/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2841415746878337489143512353099/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2841420137812169586449212164427/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2841420359412906143922055727435/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2841421390401432423548895545675/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/horse-horoscopes</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2841437751243026510245543463243/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/L2841438946610489230698197731659/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2841439684406465202785424165195/On the Passage of Michèle Bernstein Through Time (2021)</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2841442158834268506110968383819/image.png</image:loc>
                                            <image:caption>Bernstein, photographed by Kinsella, 2021.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2841442730074592236674653276491/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/bojan-louis</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2841460422752661701127218317643/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/elsa-morante</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2841460422752661701127218317643/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2841509602399551509297951328587/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/alben-dixhoorn</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2841512704016653318748250491211/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2841519653772142856600693164363/image.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/micaela-brinsley</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2841834062107277010306486946123/image.png</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/I2841834624198015680310234237259/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Z2841835843306438023627081435467/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2841836869738618517047662004555/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/daughter-of-marxism</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2841849300648961652514014546251/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/la-calima</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2849494529601969327769172232523/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2849499457538968154833629137227/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2849499849993448323004339767627/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2849500083381654343577586813259/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2849500502952848300101338319179/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/elegant-toplessness</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2849512588392568423135208196427/image.png</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/citizens</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2849518673696737178810643040587/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2849536918596537233832345258315/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/N2849537095408579180338397497675/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2849541936258499235420061223243/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2849542137198882430338206976331/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2849545883382115663347658705227/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2849546124093679081183597742411/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2849550889514862618866904910155/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2849551355424277688549050075467/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2849557549453556014668582144331/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2849557743273495997134840973643/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2849578328068994825918327474507/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/V2849578553119272525174857189707/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/little-magazines</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2849585863084333590353714268491/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/good-night-the-pleasure-was-ours</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2849615226002807566785561413963/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/jorge-carrión</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2849617945919881003037818538315/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/hindsight-is-20-20</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Y2849635830628556274806815902027/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2849636101113164627609971247435/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2849636298530219704449592641867/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2849636769457149162180735846731/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2849637068441977108865148438859/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/U2849637469252832342426285951307/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2849639192547663708372597918027/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/H2849639420383399762759269927243/image.jpeg</image:loc>
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                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2849643609436064717387636853067/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/after-hawks-sparrows</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2849643609436064717387636853067/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2849657526139409269789824305483/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/D2852411818978681296828318796107/Pajaritos-y-pajarracos.jpg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/caroline-bergvall</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/C2849660908442168904804660857163/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/B2849666157112706941457091709259/Caroline Bergvall, &#039;Refugio 2&#039; (2021)</image:loc>
                                            <image:caption>&lt;b&gt;&lt;br /&gt;
&lt;/b&gt;Caroline Bergvall, ‘Refugio 2’ (2021)&lt;br /&gt;&lt;br /&gt;
*&lt;br /&gt;
&lt;br /&gt;Caroline Bergvall&lt;br /&gt;&lt;i&gt; Concept&lt;/i&gt;, &lt;i&gt;text&lt;/i&gt; &amp;#x26; &lt;i&gt;voice&lt;/i&gt;&lt;br /&gt;Andrew Delaney &lt;br /&gt;&lt;i&gt; Camera&lt;/i&gt; &amp;#x26; &lt;i&gt;editing&lt;/i&gt;&lt;br /&gt;Jamie Hamilton&lt;br /&gt;&lt;i&gt; Sound&lt;/i&gt;</image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/in-breaking-england</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2849670348747916066404795861323/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2849672855180820337616412133707/image.jpeg</image:loc>
                                            <image:caption>Derek Jarman, ‘Landscape,’ Detail (1991) </image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/G2849673099434158617604585081163/image.jpeg</image:loc>
                                            <image:caption>Derek Jarman, &lt;i&gt;The Garden&lt;/i&gt; (1990) </image:caption>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/jonas-in-rough</loc>
            
            
            <lastmod>2026-03-26T13:31:20+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/K2849676732354383238037389887819/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/J2849680211336528563363986458955/&#039;Jonas in Rough&#039; (2017)</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/T2849680506687347927527617382731/image.jpeg</image:loc>
                                    </image:image>
            
        </url>
            <url>
                        <loc>https://tenementpress.com/hotel</loc>
            
            
            <lastmod>2026-03-26T13:31:18+00:00</lastmod>
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        </url>
            <url>
                        <loc>https://tenementpress.com/hotel-1</loc>
            
            
            <lastmod>2026-03-26T13:31:19+00:00</lastmod>
            <changefreq>always</changefreq>
            <priority>0.5</priority>


            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/Q2772935783672035524436995262795/image.jpeg</image:loc>
                                            <image:caption>John Divola, ‘As Far as I Could Get (&lt;span class=&quot;small-caps&quot;&gt;RO2F33&lt;/span&gt;),’ &lt;br /&gt;
&lt;i&gt;circa&lt;/i&gt; 1996 / 97, and as featured in Hotel 5 (2019).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/E2791973157313044307331624651083/image.jpeg</image:loc>
                                            <image:caption>Hotel 1, 2016.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/X2792008922598324178358679816523/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/F2792019003098324418048803653963/Leonard Cohen, &#039;I am a Hotel&#039; (1983)</image:loc>
                                            <image:caption>A 1983 Canadian made-for-&lt;span class=&quot;small-caps&quot;&gt;TV&lt;/span&gt; short musical film, &lt;br /&gt;
written by Leonard Cohen and Mark Shekter and &lt;br /&gt;
directed by Allan F. Nicholls.</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/P2792026137302807948923052935499/image.jpeg</image:loc>
                                            <image:caption>Jeffrey Vallance, ‘The Eyes of the Guadalupe’ (1998).</image:caption>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/R2792053561394692802186187032907/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/S2792053823338458648861819980107/image.jpeg</image:loc>
                                    </image:image>
            
                
                <image:image>
                    <image:loc>https://freight.cargo.site/t/original/i/A2792341505385142769589398194507/R02F33.jpeg</image:loc>
                                            <image:caption>John Divola, ‘As Far as I Could Get (&lt;span class=&quot;small-caps&quot;&gt;RO2F33&lt;/span&gt;),’ &lt;br /&gt;
&lt;i&gt;circa&lt;/i&gt; 1996 / 97, and as featured in Hotel 5 (2019).</image:caption>
                                    </image:image>
            
        </url>
    
</urlset>
