Rehearsal / 35. Chris McCabe
Left & Right—Chris McCabe, the opening and closing collages
as begin and end Dreamt by Ghosts, McCabe’s facsimile of
‘Dreams, Coincidence, & Weird Culture,’ the fourteenth title in
Tenement’s “Yellowjacket” series, 2024.
Order direct from Tenement Press here.


Left & Right—Chris McCabe, the opening and closing collages
as begin and end Dreamt by Ghosts, McCabe’s facsimile of
‘Dreams, Coincidence, & Weird Culture,’ the fourteenth title in
Tenement’s “Yellowjacket” series, 2024.
Order direct from Tenement Press here.
A Biography
When I was new & full of days
and my birth was in darkness
I crawled through heaven’s bandwidth
to the sky’s thorny outage
placing my cross in the hull
of a timeblind star :
I steered
and cauterised my overspend
on toys, walking where the graves
were greener, into a headwind
of ‘No Shit Shylock.’ A globe
rolled over the shyster sand
and the bitten was generous.
would you take the cup off your ear?
I entered corrupt arcades :
sand forts glistered in a cosmos.
I thought it was Florida—
it was Albion forever.
I lay in bed when I cusped
and was hacked by the sun nine times—
a jellyfish veined with lumens.
I never poked that stingray.
There was a time my life was trimmed
like the marble rind on a clock
and I watched a moth the size
of a beefsteak climb the glass—
we locked prehensile eyes : it,
with its face like Mozart. That was
the year the meteor landed at
my son’s feet, magnetised by fate.
He said, ‘it’s called SAND because
it is between sea & land.’
They said the sea was a mother
but to me it was a kitten
that had since lost its mother.
I could hear the inside of snails
and sometimes see with the lens
of a kestrel.
Living for this :
The hour when my lungs outspanned
like a jackdaw. God’s spirit
was the same as my spirit
so I said twenty-one prayers
and wrote each day, knowing that
Christ was the same as Bacchus.
I believed in a reverse
Paganism in which objects
manifested as Gods. Spirited!
I was played by the weather
like a moodboard & could see
blue in storms & red in snow.
Alcohol made my teenage
anxiety subside; when I
was forty I cut back drink
to reduce my anxiety.
My son became a found poem.
The alphabet lived in the clouds.
leo-licked & August tanned—
I roared each Summer inside the sun.
Chris McCabe’s work spans artforms and genres including poetry, fiction, non-fiction, drama and visual art. His work has been shortlisted for the Ted Hughes Award and the Republic of Consciousness Prize. His latest poetry collection The Triumph of Cancer (Penned in the Margins, 2018) was a Poetry Book Society Recommendation, and he is the editor of several anthologies including Poems from the Edge of Extinction: An Anthology of Poetry in Endangered Languages (Chambers, 2019) and, with Victoria Bean, The New Concrete: Visual Poetry in the 21st Century (Hayward Gallery Publishing, 2015). His novels are Dedalus (Henningham Family Press, 2018) and Mud (Henningham Family Press, 2019). McCabe is presently working on an epic series of psychogeographical books documenting the lost poets buried in London’s Victorian cemeteries, the latest of which is Buried Garden: Lockdown with the Lost Poets of Abney Park Cemetery (Penned in the Margins, 2021), a White Review ‘Book of the Year,’ 2022.